论小剧场歌剧《再别康桥》中女高音林徽因的艺术形象及唱段演绎

发布时间：2018-06-10 00:46

本文选题：《再别康桥》 + 林徽因　；参考：《西安音乐学院》2011年硕士论文

【摘要】：小剧场歌剧《再别康桥》由陈蔚(笔名水儿)编剧,首都师范大学音乐学院教授周雪石作曲,是国内第一部且是唯一一部公演了的小剧场歌剧。《再别康桥》的上演,在继承传统和借鉴外国歌剧成功经验方面做出了大胆有益的尝试,它开创了中国歌剧的一种新形式,同时也成为我国现阶段音乐的重要组成部分。本文以《再别康桥》中女高音林徽因为主要研究对象,通过深入分析剧中人物之间的关系,把握歌剧表演中人物情感的体验,力求全面、细致、深入地对这一角色进行挖掘,概括出本剧中林徽因的艺术形象及艺术特征。全文从《再别康桥》中女高音林徽因的艺术形象、唱段演绎去深入剖析这个人物角色,着重分析她与其他人物之间的关系。本文一共分为四个章节,第一章节首先详细解析了小剧场歌剧《再别康桥》的历史人文背景及创作概况,然后结合中国歌剧发展历程,对小剧场歌剧这种艺术形式加以介绍。第二章节主要从林徽因少女时代和成人时代的历程来分析她的个性特点,从歌剧《再别康桥》的相关唱段来分析她与其他人物之间的关系,以了解她的内心情感世界,并结合戏剧和音乐形象分析,进一步探讨该人物的艺术魅力。第三章节对女高音各唱段进行逐段分析,深入唱段并从演唱技巧、演唱处理、音乐表现等多方面去揭示歌剧中对该角色的塑造和表现。对唱段中由林徽因创作的诗词尤其进行深入剖析。第四章节从美学角度出发,对该歌剧中林徽因这一角色的艺术特征等方面进一步揭示,并论述《再别康桥》对当今中国歌剧创作的核心启示及美学涵义。
[Abstract]:Written by Chen Wei (under the pseudonym Shuier), Zhou Xueshi, a professor at the School of Music at Capital normal University, is the first and only small theater opera ever performed in China. Farewell to Kangqiao is staged. He made a bold and useful attempt to inherit the tradition and learn from the successful experience of foreign operas, which created a new form of Chinese opera. At the same time, it has also become an important part of Chinese music at the present stage. This paper takes soprano Lin Huiyin as the main research object, through in-depth analysis of the relationship between the characters in the opera, to grasp the emotional experience of the characters in the opera performance. Strive to comprehensively, meticulously, deeply excavate this role, generalize the artistic image and artistic characteristic of Lin Huiyin in this play. The full text from the soprano Lin Huiyin art image in "farewell to Kangqiao", Paraphrase to analyze the character in depth, focusing on the relationship between her and other characters. This paper is divided into four chapters. The first chapter analyzes the historical and humanistic background and creative situation of opera "farewell to Kangqiao" in detail, and then introduces the art form of "opera of small theater" combined with the development of Chinese opera. The second chapter mainly analyzes Lin Huiyin's personality characteristics from her teenage years and adulthood, and analyzes the relationship between her and other characters from the relevant passages of the opera "farewell to Kangqiao" in order to understand her inner and emotional world. And combined with drama and music image analysis, further explore the artistic charm of the character. The third chapter of the soprano each segment of the analysis, in-depth singing and from the singing skills, singing processing, music performance and other aspects to reveal the role in the opera shaping and performance. In particular, the poems written by Lin Huiyin in the singing paragraph are deeply analyzed. The fourth chapter, from the aesthetic point of view, further reveals the artistic characteristics of the role of Lin Huiyin in the opera, and discusses the core enlightenment and aesthetic implication of "farewell to Kangqiao" to present Chinese opera creation.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

【引证文献】