“婺剧乱弹唱腔【三五七】源自【望江南】”驳议

发布时间：2018-06-18 07:54

本文选题：音乐遗传基因 + 【三五七】　；参考：《南京艺术学院学报(音乐与表演)》2017年01期

【摘要】：【三五七】是浙江婺剧乱弹的主要唱腔,有关其词牌及曲调来源学界至今众说纷纭。诸说之中,"【三五七】源自【望江南】"的观点尤具代表。本文通过对五台山佛乐【望江南】存本的分析,对根据词格字数来判定【三五七】源自【望江南】的观点进行考证分析,用"音乐遗传基因"的分析手法来确定二者间的渊源关系,最后提出【三五七】曲牌并不源自【望江南】的结论。
[Abstract]:San57 is the main choreography of Zhejiang Wuju Opera, and there are different opinions about the origin of its ci, signs and tunes. Among the theories, the viewpoint of "three-five-seven" originates from "the south of the Yangtze River" is particularly representative. In this paper, through the analysis of Wutai Mountain Buddha music [Wangjiangnan], the author makes a textual research on the viewpoint that [357] is derived from [Wangjiangnan] according to the number of words in the word case. The original relationship between the two is determined by the analysis of "Music Genetics", and the conclusion that the qu card does not originate from the south of the Yangtze River is put forward at the end of this paper.
【作者单位】：湖北第二师范学院艺术学院;
【分类号】：J825

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