布依戏艺术审美论

发布时间：2018-06-19 01:46

本文选题：布依戏 + 艺术审美　；参考：《贵州民族学院》2010年硕士论文

【摘要】：自20世纪80年代以来,伴随着民俗学、文化人类学的田野调查方法在戏剧研究中被普遍运用,戏剧研究的重心开始从案头和舞台走向田野,民族民间戏剧的各种表演形态也因此倍受关注。布依戏是流行于贵州省黔西南布依族苗族自治州南盘江沿岸布依族中的戏曲剧种,已有一百多年的发展历史,因其表演中富含浓郁的民族色彩与地方特色,而深受布依族群众的欢迎与喜爱,成为布依族社会生活中一种不可或缺的重要娱乐方式。本论文以艺术审美为旨归,对布依戏进行了多层次、多角度的审美观照,力求比较全面地呈示出这一民族戏曲剧种独特的审美特征、审美气质、审美风格,彰显出布依族别样的审美心理、审美需要、审美定势、审美想像,建构出布依戏比较完整的审美景观,并最终实现对布依戏审美规律的深度把握。由于艺术审美含蕴了对现实人生的超越性想像,因而,这样的研究视点,更易抵达布依戏戏曲艺术发展规律的本质层面。具体来说,本论文关于布依戏艺术的审美观照主要涵括了如下内容: 绪论部分对目前学界研究布依戏的现状予以述评,并厘清了布依戏艺术审美的基本内涵。同时,阐发了本研究的价值、目的、创新之处,以及具体的研究方法。勾勒出前人研究概貌与本论文研究构想是其主旨所在。第一章“布依戏的生态环境”,围绕布依戏的自然生态、人文生态,以及与布依戏有关联的其他乡土演剧等三个方面加以论述。这三个方面都是布依戏赖以形成、发展的基础和条件,同时也是布依戏审美形态呈现的内在根据。换言之,正因为有了如此的生态环境,布依戏才出现了如此的审美形态,二者是决定与被决定的关系。因此,本章内容是本论文得以展开的根基所在,具有重要的意义。第二章“布依戏的艺术形态”,概述性地介绍了布依戏的剧目形态、音乐形态、舞台动作、舞台美术的基本情况,力图呈示出布依戏比较完整的艺术面貌,从而为下一章对布依戏进行全面的艺术审美奠定了立论基础。第三章“布依戏的艺术审美”,为本论文的重点所在。论述内容几乎关涉布依戏中的所有戏曲要素,包括剧目、音乐、戏曲语言、舞台动作、舞台美术,等等诸多方面;审美视点力求多层次、多角度切入,涵括了形式审美、内容审美、功能审美、价值审美、现象审美、本质审美等。其论析的终极意旨为:凸显布依戏审美特征的民族性、地方特色,亦即审美个性。第四章“布依戏艺术审美评价”为本论文的总结部分。在深度把握布依戏审美个性之基础上,论述了布依戏与传统戏曲的审美关系,以及布依戏的审美品格。同时,对布依戏艺术审美的延展空间、路径提出了个人见解。
[Abstract]:Since the 1980s , the field investigation method accompanying folklore and cultural anthropology has been widely used in drama research , and the center of gravity of drama research has begun to move from the desk and stage to the field , and the various performances of folk drama of nationality have also been paid attention .

Based on the artistic aesthetics , this thesis makes a multi - layered and multi - angle aesthetic view of the opera , and tries to show the unique aesthetic characteristics , aesthetic needs , aesthetic judgement and aesthetic imagination of this ethnic drama .

The introduction part makes a comment on the current situation of the study of Buyi ' s drama in the academic field , and clarifies the basic connotation of the artistic aesthetics of Buyi opera . At the same time , the author expounds the value , purpose , innovation and concrete research methods of this research .

In the first chapter , " The ecological environment of Buyi play " is discussed in three aspects , such as the nature and ecology of Buyi play , the human ecology , and other local opera related to the play . In other words , it is the basis and condition of the aesthetic appearance of the opera . In other words , it is the basis and condition of the aesthetic appearance of the play . In other words , it is the basis of the decision and the decision . Therefore , the content of this chapter is the root of the paper , which is of great significance .

The second chapter provides an overview of the basic situation of the drama , the musical form , the stage movement and the stage art , and tries to show the complete artistic face of the play , thus providing a theoretical basis for the next chapter to carry out the overall artistic aesthetics of the play .

The third chapter is about the artistic aesthetics of Buyi play , which is the focus of this thesis . The content of this thesis is almost related to all the opera elements in Buyi play , including repertoire , music , opera language , stage action , stage art and so on . The aesthetic viewpoint is multi - layered and multi - angle cut - in . The ultimate aim of the analysis is to highlight the nationality , local characteristics and aesthetic personality of the aesthetic characteristics of the opera .

The fourth chapter is the summary part of this thesis . On the basis of the deep understanding of the aesthetic personality of Buyi opera , the aesthetic relation between the opera and the traditional opera is discussed , and the aesthetic character of the play is discussed . At the same time , the author puts forward personal opinions on the extension space and the path of the artistic aesthetics of Buyi opera .
【学位授予单位】：贵州民族学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

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