康巴诺尔二人台音乐艺术特征研究

发布时间：2018-06-20 07:18

本文选题：音乐 + 唱腔　；参考：《首都师范大学》2009年硕士论文

【摘要】： 康巴诺尔二人台是流行在张家口市康保等县区一带,以张家口坝上方言为语音特点,以康巴诺尔二人台音乐艺术为依托,集民歌、说唱、歌舞、戏曲等诸多艺术元素于一体的原生态民间艺术,她是蒙汉艺人和文艺工作者用汗水浇灌出的一朵具有鲜明地方特色和浓郁生活气息的艺术奇葩。2006年康巴诺尔二人台获得了国务院公布的首批“全国非物质文化遗产保护名录”的殊荣。笔者认为研究康巴诺尔二人台艺术具有非常重要的意义:保护家乡的原生态音乐艺术遗产;积累传统音乐研究的一般方法;丰富民族声乐的演唱理论。第四,提高个人民族声乐的演唱素养。文章首先分析了康巴诺尔二人台形成和发展,它形成的主要原因是独特的人文地理因素为其形成奠定了坚实的基础和当时政策的宽松和经济相对繁盛为其形成创造了条件。由于康巴诺尔二人台最初是群众自娱自乐的自发性活动,它的成长与发展,经历了漫长坎坷的道路。经过二人台艺人的不断努力,康巴诺尔二人台艺术日臻完善,进入新世纪,迎来了她艺术的真正春天。其次,从康巴诺尔二人台音乐的题材内容、曲目来源、唱腔分类、音阶、调式、曲体结构、腔体、曲牌、板式、音乐的伴奏等各方面整理、分析了其独特的风格特点,即:康巴诺尔二人台的唱腔音乐来源于民歌,因此它遵循着民歌旋律形态的一般规律,同时又与坝上方言相结合,产生了一些新的特点和规律。牌子曲是供乐队单独演奏的器乐曲,来源于蒙、汉民歌、古曲、社火、佛曲、晋剧等戏曲曲牌,演奏风格热烈火炽。第三,康巴诺尔二人台音乐唱腔自然优美、嘹亮,有着单纯、粗放、质朴、精巧、深沉的特点。二人台艺人们根据自身条件,包括嗓子的宽窄、高低、音色、音质、音域等,以及自己的审美情趣,在基本曲调的基础上创造出了多种行腔方法。即:衬腔、对儿字行腔、满打满唱、夹说带唱、躲字闪梆、平唱高送、平打平唱、滚白等。其唱腔的极大的灵活性,产生了艺术的不同韵味。形成了自己鲜明的唱腔风格。同时对康巴诺尔二人台演唱者在呼吸、共鸣、吐字等方面应进行科学的发声训练并提出个人的见解。第四,分析总结了康巴诺尔二人台音乐艺术的方言语音特点,即:古入声在今方言中仍为一个独立的声调;平声不分阴阳;前后鼻音不分、翘舌音与不翘舌音不分以及个别韵母归韵欠缺。康巴诺尔二人台从其诞生至今,已有百余年的历史。随着社会的发展和时代的进步,康巴诺尔二人台会在创新中求得生存、求得发展的,祝愿这朵扎根于农村、散发着浓郁的乡土气息、盛开在文艺百花园中的艺术奇葩,绽放的更加绚丽妖娆、多彩芬芳。
[Abstract]:Kangbanor is popular in Zhangjiakou City, Kangbao and other counties, with Zhangjiakou Bashang dialect as the phonetic characteristics, with the Kangbanor duo Taiwan music art as the support, collection of folk songs, rap, singing and dancing. The primitive ecological folk art with many artistic elements such as opera, She is a wonderful work of art with distinctive local characteristics and rich flavor of life, which is watered by Mongolian artists and artists with sweat. In 2006, Combarnole and her wife won the first batch of "National Intangible Cultural relics" published by the State Council. Protection of the list of products "special honor." The author thinks that it is of great significance to study the art of Kangbanor two people: to protect the original musical heritage of his hometown, to accumulate the general methods of traditional music research, and to enrich the singing theory of national vocal music. Fourth, improve the singing accomplishment of individual national vocal music. The paper first analyzes the formation and development of Cambanor's two-person station. The main reason for its formation is that the unique humanistic geographical factors laid a solid foundation for its formation and the loose policy and relatively prosperous economy at that time created the conditions for its formation. Because the Kangbanor duo originally was the spontaneous activity of the masses, its growth and development experienced a long and bumpy road. Through the unceasing efforts of the two artists, the art of Cambanor is becoming more and more perfect, entering the new century and ushered in the true spring of her art. Secondly, from the aspects of the subject matter, the source of the track, the classification of the singing, the scale, the mode, the structure, the cavity, the card, the board, the accompaniment of the music and so on, the unique style characteristics are analyzed. That is, the singing music of Kangbanor and Erren station comes from folk songs, so it follows the general rules of folk songs' melody and forms, and at the same time combines with Bashang dialect, which has some new characteristics and rules. Brand music is for the band to play solo instrumental music, from the Mongolian, Han folk songs, ancient music, fire, Buddhism, Jin opera and other operas, the playing style is incandescent. Thirdly, the Combanor duo's singing is natural and beautiful, clear, simple, extensive, simple, exquisite and deep. According to their own conditions, including voice width, height, tone color, tone quality, tone range, and their own aesthetic interests, the two artists have created a variety of line methods based on basic tunes. Namely: lining cavity, line on the child, full singing, clip with singing, dodging words flash bang, flat singing high send, flat singing, roll white, etc. The great flexibility of its singing has produced different lasting appeal of art. Formed their own distinctive singing style. At the same time, the singer of Cambanor's station should be trained scientifically in breathing, resonating and spelling, and put forward his own opinions. Fourthly, it analyzes and summarizes the phonetic characteristics of Kangbanor and Errentai's dialects, that is, the ancient intonation is still an independent tone in the present dialect, the flat voice is not divided between yin and yang, and the nasal sound is not distinguished from the front and the rear. Tongue-warping and non-tongue-breaking, as well as the absence of individual vowels. Kangbanor two-person station from its birth to now, has a history of more than 100 years. With the development of the society and the progress of the times, the Combanor two will seek to survive and develop in the process of innovation. May this flower be rooted in the countryside, exuding a strong local flavor, and blooming in a hundred gardens of literature and art. Blooming more gorgeous enchanting, colorful fragrance.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

【引证文献】