白派京韵大鼓艺术研究

发布时间：2018-06-26 04:56

本文选题：白派 + 京韵大鼓　；参考：《天津音乐学院》2012年硕士论文

【摘要】：京韵大鼓形成于十九世纪末二十世纪初,是由冀中河间府的木板大鼓逐渐演变而成。据资料记载来看,木板大鼓流入北京,至少有二百年以上历史。由于木板大鼓的吐字行腔中带有浓重的河北乡音,在其初流入北京时被京城人称为“怯大鼓”。十九世纪后半叶,木板大鼓在第一代京津木板大鼓艺人的大胆改革下,开始向京韵大鼓演变。京韵大鼓发展相对完备,在曲艺的百花园中位显身贵。其韵雅词美、流派纷呈。产生的流派有:张(晓轩)派、刘(宝全)派、白(云鹏)派、白(凤鸣)派(称少白派)和骆(玉笙)派。其中,张(晓轩)派京韵发展到第二代就已失传。笔者通过多年艺术实践,学习演唱白派京韵,深入了解其艺术规律及传承方式,对实践过程进行理论化整合。并将现有资料进行图表式的分析,从形态学与史学入手,对白派京韵的旋律、板眼、润腔、伴奏等方面进行横向、纵向的对比论述:横向分析白派京韵与其它京韵流派之间的差别;纵向分析一个世纪以来,四代大鼓艺人对白派京韵的传承过程。进一步挖掘白派京韵在韵味、行腔、表演等方面的艺术风格特征,探究这种艺术风格得以产生和流传的根本原因,并分析白派京韵在整个京韵大鼓发展历史上的重要作用。通过上述研究方法,试图完成理论与实践之间多层递进的明确阐述,给鼓曲音乐的研究提供一个新的维度和视角,为鼓曲音乐的发展道路提供理论依据,使传统的形式能更好地赋予时代性的内容。
[Abstract]:Jingyun Drum was formed in the late 19th century and the beginning of the 20th century, and evolved gradually from the plank drum of Hejian House in Jizhong. According to records, wooden drums into Beijing, at least 200 years of history. Because the plank drum enunciates the line cavity to have the thick Hebei township sound, when it first flows into Beijing, is called "the timid big drum" by the capital people. In the second half of the nineteenth century, the plank drum began to evolve to the Beijing rhyming drum under the bold reform of the first generation of Beijing-Tianjin plank drum artists. Beijing rhyme Dagu development is relatively complete, in the quyi garden in the middle of the body. Its rhyme elegant ci is beautiful, the school is numerous. The schools produced are Zhang (Xiao Xuan), Liu (Baoquan), Bai (Yunpeng), Bai (Fengming) and Luo (Yusheng). Among them, Zhang (Xiao Xuan) sent Jing Yun to the second generation has been lost. Through many years of artistic practice, the author learned to sing the white school Jing rhyme, deeply understood its art law and inheritance way, carried on the theory integration to the practice process. With the analysis of the existing data, from morphology and historiography, the thesis carries out the horizontal analysis on the melody, eye, embellishment, accompaniment and so on of the Baipai Jing rhyme. Vertical comparison: horizontal analysis of the white school and other schools of Beijing rhyme between the differences; longitudinal analysis of a century, four generations of Dagu artists on the Bai school of Beijing rhyme inheritance process. This paper further explores the artistic style characteristics of Bai School Jing Yun in the aspects of charm, line tune, performance and so on, probes into the fundamental reasons for the emergence and spread of this artistic style, and analyzes the important role of Bai School Beijing rhyme in the whole history of Beijing rhyme Dagu development. Through the above research methods, this paper tries to complete the clear elaboration of multi-layer progression between theory and practice, to provide a new dimension and perspective for the study of drum music, and to provide a theoretical basis for the development of drum music. So that the traditional form can better endow the content of the times.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J826

【共引文献】