歌剧《伤逝》中子君三首咏叹调的音乐分析与演唱技巧研究

发布时间：2018-06-27 00:06

本文选题：《伤逝》 + 音乐分析　；参考：《湖南科技大学》2017年硕士论文

【摘要】：歌剧《伤逝》集文学性与时代性于一身,在中国歌剧舞台上占据着十分重要的地位。根据原著小说以及歌剧创作的背景,结合创作概况、创作特点和剧情发展,以子君咏叹调《一抹夕阳》、《风萧瑟》、《不幸的人生》三个唱段为研究对象,重点从三首咏叹调的音乐分析和演唱技巧研究两个关键层面来进行音乐分析、音乐形象分析、解决演唱时技术问题以及细化演唱细节等方面的研究。具体到音乐形象的表达和曲式结构的分析,递进式深化角色的演绎与表达,从而达到准确的把握子君的形象特征、提升声乐演唱水平的目的。首先,简单阐述原著小说引发个性解放和思想解放的共鸣,结合施光南歌剧《伤逝》的创作地位分析,肯定了其对这个时代歌剧发展的推动作用。其次,从音乐形象和曲式结构两方面进行分析,歌剧中子君爱情的三部曲分别塑造了优雅清新、矛盾彷徨、痛苦迷茫的音乐形象;曲式结构分别从“夏”幕传统的带再现的单三部曲式、“秋”幕凸显主题的回旋曲式结构、“冬”幕中复三部乐段的对比和首尾乐段呼应的曲式结构布局进行分析。音乐形象与曲式结构的变化相辅相成,极大地彰显了《伤逝》的艺术结构。最后,从三个唱段的演唱技巧和演绎实践两方面进行总结分析。主要演唱技巧重点从柔和的呼吸、稳定的喉头、准确的语感三方面来把握人物情感线条、控制声音表现力度以及表达角色的真实情感。通过演绎实践的方式将形象立体再现,结合各唱段的演唱特点给予了技巧的分析和建议。并结合演唱实践体会,将理论分析与演唱实践实现具体的历史的统一,彰显音乐的戏剧性张力和声音表现力,达到丰富歌剧的演唱方式和表达技巧的效果。在此研究基础上,清晰地理解了歌剧的内涵及经典演绎,为学习和把握歌剧的抒情效果起指导意义。
[Abstract]:Opera is a combination of literariness and epochal, which occupies a very important position on the stage of Chinese opera. According to the background of the original novel and the creation of the opera, combined with the general situation of the creation, the characteristics of the creation and the development of the plot, the research objects are the arias of Zi Jun's arias "A touch of sunset", "the wind and the wind", and "the unhappy life" as the research objects. From the three arias music analysis and the singing skill research two key aspects to carry on the music analysis, the music image analysis, solves the singing technical question and refines the singing detail and so on the research. Concretely to the music image expression and the musical form structure analysis, the progressive deepening role deduction and the expression, thus achieves the accurate grasp Zi Jun's image characteristic, enhances the vocal music singing level the goal. First of all, the author briefly expounds the resonance of individual liberation and ideological emancipation caused by the original novel, and confirms its role in promoting the development of opera in this era through the analysis of the creative position of Shi Guangnan opera. Secondly, from the aspects of musical image and musical structure, the trilogy of opera neutron monarch's love has created the music image of elegant and fresh, contradictory and confused respectively. The musical structure is analyzed from the traditional mono-trilogy with reappearance of the "summer" screen, the "autumn" screen with the main theme of the revolving music structure, the comparison of the three music sections in the "Winter" screen and the structure layout of the echo of the first and last musical segments. The changes of musical image and musical structure complement each other, which greatly reveal the artistic structure of "the dead". Finally, from the three singing skills and deductive practice two aspects of summary and analysis. The main singing skills focus on three aspects: soft breathing, stable throat, accurate language sense to grasp the emotional lines of the characters, control the intensity of voice performance and express the real feelings of the characters. Through deductive practice, the image is reproduced stereoscopically, and the technical analysis and suggestions are given in combination with the singing characteristics of each track. Combining with the experience of singing practice, the author unifies the theory analysis with the singing practice, shows the dramatic tension and voice expression of music, and achieves the effect of enriching the singing way and expression skill of opera. On the basis of this study, the connotation and classic interpretation of opera are clearly understood, which plays a guiding role in learning and grasping the lyric effect of opera.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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