江苏梆子的历史渊源与现代传承

发布时间：2018-06-27 06:47

本文选题：江苏梆子 + 清朝时期　；参考：《中国戏剧》2014年12期

【摘要】：正江苏梆子,俗称大戏,亦名徐州梆子,流行于江苏省徐州一带,是豫剧、山东梆子等流入徐州地区之后,结合当地方言土语,吸收当地曲艺、民歌,并融合其它外来剧种逐渐发展而成。清朝时期,形成了以沛县为中心和主流的具有一定地方特色的戏曲,所以又称沛县梆子。解放后,江苏省政府把在江苏的各地豫剧团融合,正式定名为江苏梆子。一、江苏梆子与豫剧的历史渊源明末清初山陕梆子传入山东,形成山东梆子。山东梆子艺人主要活动鲁西南、鲁南和苏北地区,徐州群众对山东梆子异常喜爱,邀请了许多山东梆子艺人定居徐州受徒传艺。清乾隆七年(1742),徐州云龙山所刻
[Abstract]:Jiangsu Bangzi, also known as Grand Opera, also known as Xuzhou Bangzi, which is popular in Xuzhou, Jiangsu Province, is a Henan opera, Shandong Bangzi and other into the Xuzhou area, combined with the local dialect vernacular, absorbing local qu Yi, folk songs, And the integration of other foreign drama gradually developed. During the Qing Dynasty, Peixian as the center and mainstream opera with certain local characteristics, also known as Peixian Bangzi. After liberation, Jiangsu provincial government in Jiangsu Henan opera troupe fusion, officially named Jiangsu Bangzi. First, the historical origin of Jiangsu Bangzi and Henan Opera, Shan Shan Bangzi introduced into Shandong in the late Ming and early Qing Dynasty, forming Shandong Bangzi. Shandong Bangzi artists main activities of southwest Shandong, southern Shandong and northern Jiangsu, Xuzhou people to Shandong Bangzi unusual love, invited many Shandong Bangzi artists settled in Xuzhou to receive the art. Seven years of Qianlong in Qing Dynasty (1742), carved in Yunlong Mountain, Xuzhou
【作者单位】：江苏师范大学音乐学院;
【基金】：教育部人文社科基金项目:“中国传统声乐理论研究”阶段性成果,项目编号:11YJA760013
【分类号】：J825

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