纪招治与闽南歌仔戏

发布时间：2018-06-30 11:22

本文选题：歌仔戏 + 纪招治　；参考：《厦门大学》2009年硕士论文

【摘要】： 本文是对一位闽南歌仔戏传承人的专题探讨。以实地调查的材料为基础,将音乐学、文化人类学、社会学、历史学等学科理论融为一体,对生存于闽南文化环境中的个人经历进行客观的描述和解读。目的在于从音乐人类学的视角来论证社会环境、文化遗产与个体之间的相互关系。即:一、现实的人都是生活于一定的文化环境中,一个人一旦在某种特定的文化中生存,他就必然受到文化的模塑。社会是人和文化赖以存在的载体。由此,人们接受文化的模塑,实际上也就等于在与社会的互动中,接受社会关系、社会规范对自身的制约;二、在特定的社会文化背景下,人可以进行文化创新,推动文化发展。杰出的传承人在继承传统中有能力做出文化选择和文化创新,他往往把一个民族和时代的文化推向历史的高峰;三、人类非物质文化遗产以群体传承、家庭(或家族)传承、学校传承和社会传承的方式代代相传,传承人在传承过程中发挥着重要作用。全文共分四章。第一章,对歌仔戏及其生存环境作简要概括。第二、三章,以传承人纪招治的个人经历为主线,全面考察了纪招治、歌仔戏、社会、历史、政治等一系列要素的相互关系。第四章,结合前面三章的内容谈纪招治与歌仔戏的关系。
[Abstract]:This article is to a Minnan opera inheritors special topic discussion. Based on the materials of field investigation, this paper combines the theories of musicology, cultural anthropology, sociology, history and so on, and objectively describes and interprets the personal experience existing in the cultural environment of South Fujian. The purpose is to demonstrate the relationship between social environment, cultural heritage and individual from the perspective of musical anthropology. That is: first, the real people are living in a certain cultural environment, once a person survives in a certain culture, he must be molded by culture. Society is the carrier on which people and culture depend. As a result, people accept the moulding of culture, which in fact is tantamount to accepting social relations and the restriction of social norms on themselves in the interaction with society; second, under the specific social and cultural background, people can carry out cultural innovation. Promoting cultural development. An outstanding inheritor has the ability to make cultural choices and cultural innovations in inheriting traditions. He tends to push the culture of a nation and the times to the peak of history. Third, the intangible cultural heritage of mankind is passed down as a group, family (or family), The way of school inheritance and social inheritance is passed down from generation to generation. Inheritors play an important role in the process of inheritance. The full text is divided into four chapters. The first chapter briefly summarizes the opera and its living environment. The second and third chapters, taking the personal experience of people's discipline and management as the main line, comprehensively investigate the interrelation of a series of elements, such as discipline, opera, society, history, politics and so on. The fourth chapter, combined with the content of the previous three chapters to discuss the relationship between Ji Zhaozhi and the opera.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

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