锤炼“身体”之时，锻造“精神”之始—铃木演员训练法研究

发布时间：2018-06-30 18:00

本文选题：动物性能源 + 身体　；参考：《上海师范大学》2017年硕士论文

【摘要】：铃木忠志作为梅耶荷德、布莱希特、彼得布鲁克、罗伯特威尔逊等十位引领二十世纪戏剧的大师中的唯一一名亚洲戏剧导演,因其开创的独特演员训练法能够很好地挖掘演员的原始能量,即文中所述的“动物性能源”,铃木方法早已在国际戏剧圈备受推崇。近年来因与中国频繁合作,受到了中国戏剧圈的广泛关注,也因其对日本传统文化的传承与发展,引发了中国戏剧人的思考与好奇,但由于缺乏研究、了解的途径,不解与误解也随之而来。笔者通过与铃木忠志本人多年的合作,深入调查和了解了铃木剧团,亲身实践了铃木方法,近距离研究观察了铃木戏剧,并多方采访了铃木忠志及相关戏剧艺术家,试图探究铃木方法对演员身体能量及对演员戏剧精神的双重锻造,尝试发现铃木剧团能够位列世界一流的专业原因和铃木戏剧样式的独特性,以及铃木戏剧与现实主义戏剧融会贯通的交叉点。此外,笔者还通过对铃木忠志剧团及其训练方法和戏剧的了解、分析,探索现代戏剧与中国传统文化结合方式的问题所在,当代戏剧教学所面临的困难,以及戏剧艺术与社会商业化的抗争与矛盾等。并将铃木戏剧样式与斯坦尼斯拉夫斯基、格罗托夫斯基、留比莫夫、雅克·勒考克等戏剧风格样式进行对比,分析各自方法的差异和共通点,从中寻找出训练和提高演员身体及精神的方法和途径。
[Abstract]:Suzuki Chushi, the only Asian drama director leading the twentieth Century drama by ten masters such as Meelho De, Bly Hitt, Peter Brooke and Robert Wilson, has been able to excavate the original energy of the actor well, that is, "animal energy" as described in the article. The SUZUKI method has already been used. The International Drama circle is highly respected. In recent years, because of frequent cooperation with China, it has received extensive attention from the Chinese drama circle, and because of its inheritance and development of traditional Japanese culture, it has aroused the thinking and curiosity of Chinese dramatist. But because of the lack of research, the way of understanding and misunderstanding also followed. The author has passed to Suzuki Chushi himself. The year of cooperation, in-depth investigation and understanding of the SUZUKI troupe, a personal practice of the SUZUKI method, the close study of the study of SUZUKI drama, and many interviews with Suzuki Chushi and related dramatic artists, trying to explore the energy of the actor's body and the double forging of the actor's drama spirit, and try to find that the SUZUKI troupe can be listed in the world. First class professional reasons and the uniqueness of the SUZUKI drama style, and the intersection of SUZUKI drama and realism drama. In addition, the author also explores the problems of the combination of modern drama and Chinese traditional culture through the understanding of Suzuki Chushi's troupe and its training methods and plays, and the aspect of contemporary drama teaching. The difficulties of the coming, the struggle and contradiction between the theatrical art and the commercialization of the society, and the comparison of the dramatic styles of the SUZUKI drama style with Kniss Ralph J Ki, Gro Torfs Ki, leaving MOV and Jacques lcok, and analyzing the differences and common points of their respective methods, looking for training and improving the body and spirit of the actors. Methods and ways.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J812.1

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