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浅析歌剧《一江春水》中张忠良角色塑造与演唱技法研究

发布时间:2018-07-10 13:33

  本文选题:张忠良 + 一江春水 ; 参考:《上海音乐学院》2017年硕士论文


【摘要】:《一江春水》是由我国著名声乐教育家周小燕先生担任艺术总监,著名作曲家郝维亚作曲,罗怀臻、喻江、罗周编剧的中国原创歌剧。作为新生中国原创歌剧,目前为止还未出现对该歌剧及歌剧人物的长篇研究论著,多以乐评期刊为主,对于可研究参考的文献资料相对甚少。本论文从自身演出实践经验出发,以剧中人物张忠良的戏剧情感和演唱技法为以及与其他歌剧人物的戏剧关系为研究视角,并对歌剧《一江春水》的创作背景、剧情进行分析,以此为关于歌剧《一江春水》的演唱研究文献增加参考资料。
[Abstract]:Chun Shui is a Chinese original opera composed by famous Chinese vocal music educator, Mr. Zhou Xiaoyan as artistic director, composer Hao Wei Zhen, Luo Huaizhen, Yu Jiang, and Luo Zhou screenplay. As a freshman Chinese original opera, so far there has not been a long research on the opera and its characters, mostly in the music review journal, and there are relatively few references for the literature that can be studied and referenced. This thesis starts from its own performance practice experience, takes the drama emotion and singing technique of the character Zhang Zhongliang in the play as well as the drama relations with other opera characters as the research angle, and analyzes the background and plot of the opera "one River Spring Water". This is a reference for the singing research literature of opera "one River and Spring Water".
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J822;J617.2

【参考文献】

相关期刊论文 前2条

1 杨燕迪;;“问君能有几多愁”——评歌剧《一江春水》[J];人民音乐;2015年01期

2 张雯雯;;中国民族歌剧演唱风格探微[J];科教文汇(上旬刊);2009年11期



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