从艾琳到玛丽亚看伯恩斯坦音乐剧中的角色音乐特征
发布时间：2018-07-14 09:54
【摘要】：本论文通过对伯恩斯坦的两部音乐剧代表作《美妙的小镇上》、《西区故事》中的女性角色艾琳和玛丽亚的唱段分析,探讨作曲家的创作意图和论述演绎的相关问题。 第一章,从多变的节奏型为切入点分析艾琳的角色音乐特征。首先通过观察作曲家运用不同音乐元素中丰富多变的节奏型,讨论剧中角色的鲜明个性和戏剧意涵；其次,通过音乐剧中人物的唱段与歌剧咏叹调的比较揭示艾琳唱段中的歌剧化特征。第二章讨论玛丽亚的角色音乐特征,通过分析节奏重音与唱词语调之间的联系,探究它们的完美结合对于表现戏剧所起到的重要性,并在考察玛丽亚这一角色音乐层次感的基础上,论述旋律与戏剧高潮的关系。第三章通过对艾琳和玛丽亚这两个角色唱段音乐及在剧中不同戏剧表现力的比较与分析,探论演唱伯恩斯坦音乐剧作品需要注意的相关问题,并指出音乐风格把握和戏剧张力体现的重要意义。
[Abstract]:In this paper, through the analysis of the female characters Irene and Maria in Bernstein's two musical masterpieces, "on the wonderful Town" and "the West side Story", the author explores the composer's creative intention and discusses the relevant issues of interpretation. The first chapter analyzes Irene's role music characteristics from the point of view of changing rhythm. First of all, by observing the rich and changeable rhythmic patterns of different musical elements, the composer discusses the distinctive personality and dramatic meaning of the characters in the play. Through the comparison of the characters' choir and the opera aria in the musical, this paper reveals the characteristics of the opera in Irene's choir. The second chapter discusses the musical characteristics of Maria's characters and explores the importance of their perfect combination to the performance of drama by analyzing the relationship between rhythmic stress and the tone of singing words. On the basis of investigating Maria's musical hierarchy, the relationship between melodies and dramatic climax is discussed. In the third chapter, through the comparison and analysis of the two characters, Irene and Maria, as well as the expressive power of different plays in the play, the author probes into the relevant problems in singing Bernstein's musical works. It also points out the important significance of grasping the musical style and embodying the drama tension.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
本文编号：2121276
[Abstract]:In this paper, through the analysis of the female characters Irene and Maria in Bernstein's two musical masterpieces, "on the wonderful Town" and "the West side Story", the author explores the composer's creative intention and discusses the relevant issues of interpretation. The first chapter analyzes Irene's role music characteristics from the point of view of changing rhythm. First of all, by observing the rich and changeable rhythmic patterns of different musical elements, the composer discusses the distinctive personality and dramatic meaning of the characters in the play. Through the comparison of the characters' choir and the opera aria in the musical, this paper reveals the characteristics of the opera in Irene's choir. The second chapter discusses the musical characteristics of Maria's characters and explores the importance of their perfect combination to the performance of drama by analyzing the relationship between rhythmic stress and the tone of singing words. On the basis of investigating Maria's musical hierarchy, the relationship between melodies and dramatic climax is discussed. In the third chapter, through the comparison and analysis of the two characters, Irene and Maria, as well as the expressive power of different plays in the play, the author probes into the relevant problems in singing Bernstein's musical works. It also points out the important significance of grasping the musical style and embodying the drama tension.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
【参考文献】
相关硕士学位论文 前2条
1 费元洪;音乐剧《西区故事》——戏剧与音乐分析[D];上海音乐学院;2004年
2 王华;从西洋歌剧咏叹调的历史脉络中探寻歌剧咏叹调的美学特征[D];陕西师范大学;2009年
，本文编号：2121276
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