保定老调的发展脉络探究
[Abstract]:Old tune, also known as Old tune Bangzi, Hebei Province has a relatively long history of local opera drama. Its melody is simple and healthy, high clear and euphemism, rich in local flavor and local characteristics. Baoding area in the middle of Hebei Province is the birthplace of the old tune. The formation and development of the old tune can be roughly divided into three stages: the first stage is the germination and formation period of the old tune (late Ming and early Qing Dynasty); the second stage is the development period of the old tune (from the end of Qianlong to 1790 years of the Republic of China). The third period was the decline and emerging period of the old tune (since the July 7th incident). The artistic features of the old tune are divided into the old tune of the East Road and the old tune of the West Road according to their geographical position. Zhou Fucai is the representative figure in the old tune of the East Road, the main repertoire is "Tiao Fu Cai", "Lintong Mountain", "Chuan Huang Pao", and the representative figure in the old tune of the West Road is Xiao Kuanyu, whose main repertoire is "Xihedong", "Taiping City". The old-fashioned language is concise, lively, vivid and vivid, it can often grasp the essence of things to generalize, this way of expression, the best way to express the masses' thoughts and feelings. The old line of business is divided into: born, denier, net, ugly. The old tune singing simple agitated, narrative strong, structural form belongs to the board cavity. The basic tune is composed of two sentences with similar structure and the same conclusion. It has a male-female tradition, with a series of characters suitable for emotional changes in the plate. The main instrument of Wenchang is Banhu. The main instruments of Wuchang are drum board, big gong, cymbals, small gong, jujube wood Bangzi. Baoding's old tune has a long history and high artistic value. It has reached an urgent time to protect, inherit and develop the old-fashioned art. In 2006, Baoding's old tune was listed as the first batch of intangible cultural heritage in Hebei Province. And is actively declaring the national intangible cultural heritage list. We understand the development history and artistic style of the opera in the old tune, the purpose of which is to understand and summarize its law of artistic development, to continue to promote the innovation and development of the old tune in the new historical period, to adapt it to the requirements of the times, and to better serve the masses of the people. Socialist service, so that the old tune into a hundred gardens of opera, an everlasting bloom, unique fragrance of the arts.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J825
【相似文献】
相关会议论文 前7条
1 吕殿增;;谈宁河评剧的形成与发展[A];中国民间文化艺术之乡建设与发展初探[C];2010年
2 石睿;;触摸乐亭影戏音乐华彩[A];中国民间文化艺术之乡建设与发展初探[C];2010年
3 李祥林;;为边缘化的羌族民间戏剧呼吁[A];羌去何处——紧急保护羌族文化遗产专家建言录[C];2008年
4 林汝德;;桂东南艺术奇葩——牛娘戏[A];中国民间文化艺术之乡建设与发展初探[C];2010年
5 李祥林;;羌族戏剧文化遗产亟待抢救保护[A];羌去何处——紧急保护羌族文化遗产专家建言录[C];2008年
6 甘万明;;浅谈“崇阳提琴戏”的起源、发展与传承、保护[A];中国民间文化艺术之乡建设与发展初探[C];2010年
7 张珊珊;;新时期黑龙江戏剧创作二十年概说[A];龙江春秋——黑水文化论集之四[C];2006年
相关重要报纸文章 前10条
1 毛小雨;戏曲剧种也要“拆迁”?[N];中国文化报;2011年
2 邹元江;继承永远是创新的前提[N];中国文化报;2011年
3 刘文峰 国家非物质文化遗产专家委员会委员 中国戏曲表演学会会长;京剧的价值、神韵和现代化[N];团结报;2011年
4 本报记者 李珊珊;起点高决心大力度强[N];中国文化报;2011年
5 廖奔;京剧成功申遗后的思考[N];光明日报;2010年
6 本报记者 张忱 全国政协委员 吴江;京剧是一种综合的艺术[N];经济日报;2011年
7 ;剧目生产,国际经验与水准[N];中国艺术报;2011年
8 周育德;陇上新声令人醉[N];中国文化报;2011年
9 本报记者 明慧;地方戏曲何处安身立命[N];中国改革报;2011年
10 本报记者 王立元 焦雯 刘茜 实习生 李颖;捕捉新题材 展现新生活[N];中国文化报;2011年
相关博士学位论文 前1条
1 刘玲玲;贵州布依戏研究[D];中央音乐学院;2011年
相关硕士学位论文 前10条
1 张W,
本文编号:2130426
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2130426.html