奉贤山歌剧传承现状考察研究
发布时间：2018-07-17 18:48
【摘要】：奉贤山歌剧是由流行于上海奉贤地区的民间山歌发展演变而成的上海本地剧种,自20世纪50年代诞生至今不到一百年的时间里,随着社会历史时代的变迁历经三起两落,1984年奉贤山歌剧团改建沪剧团后,这一被称为上海“独养囡”的地方小戏沉寂了近20年。2007年5月奉贤山歌剧被申请批准为上海市非物质文化遗产项目后重新走入了人们的视野。本课题考察内容主要涉及奉贤山歌剧音乐本体,保护现状,当地政府对于奉贤山歌剧的申报与审批,传承人,传承方式,当前传承保护过程中新创作的曲目,乐种的活动区域,以及当地群众普及认可程度调查分析。 本文以奉贤山歌剧的传承现状作为研究基础,结合音乐文本分析,被采访人口述史和文献记载历史的整理资料,试图以当下政府运作展演中乐种音乐辨识特征缺失为线索,探讨奉贤山歌剧历史场域中国家在场,音乐遗产中的政府运作,以及传统音乐的辨识特征置于政府保护传承的问题,以期为音乐人类学视野中音乐与政府政治及音乐类非遗研究提供一个详实的个案研究。
[Abstract]:Fengxian opera is a kind of local opera developed from folk songs popular in Fengxian area of Shanghai. It has been less than 100 years since it was born in the 1950s. With the vicissitudes of the social and historical times, after three ups and two falls, in 1984, after the Fengxian Folk Opera Troupe was transformed into the Shanghai Opera Company, The local opera, known as Shanghai's "only child", has been silent for nearly 20 years. In May 2007, Fengxian Mountain Opera was approved as the Shanghai Intangible Cultural Heritage Project and re-entered people's view. The main contents of this subject are related to the music Noumenon of Fengxian Mountain Opera, the current situation of protection, the application and approval of the local government for Fengxian Mountain Opera, the inheriting person, the way of inheritance, the newly created repertoire and the activity area of music species in the current process of heritage protection. As well as the local popularizing approval degree investigation and analysis. Based on the research of the present situation of Fengxian mountain opera, combined with the analysis of music text, this paper tries to take the lack of musical identification characteristics in the present government operation and performance as the clue to the interviewee's oral history and documentary records. This paper probes into the presence of countries in the historical field of Fengxian Mountain Opera, the operation of the government in the musical heritage, and the problem that the identification of traditional music is put under the protection and inheritance of the government. In order to provide a detailed case study of music and government politics and music in the field of musical anthropology.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J825;J617.2
本文编号：2130598
[Abstract]:Fengxian opera is a kind of local opera developed from folk songs popular in Fengxian area of Shanghai. It has been less than 100 years since it was born in the 1950s. With the vicissitudes of the social and historical times, after three ups and two falls, in 1984, after the Fengxian Folk Opera Troupe was transformed into the Shanghai Opera Company, The local opera, known as Shanghai's "only child", has been silent for nearly 20 years. In May 2007, Fengxian Mountain Opera was approved as the Shanghai Intangible Cultural Heritage Project and re-entered people's view. The main contents of this subject are related to the music Noumenon of Fengxian Mountain Opera, the current situation of protection, the application and approval of the local government for Fengxian Mountain Opera, the inheriting person, the way of inheritance, the newly created repertoire and the activity area of music species in the current process of heritage protection. As well as the local popularizing approval degree investigation and analysis. Based on the research of the present situation of Fengxian mountain opera, combined with the analysis of music text, this paper tries to take the lack of musical identification characteristics in the present government operation and performance as the clue to the interviewee's oral history and documentary records. This paper probes into the presence of countries in the historical field of Fengxian Mountain Opera, the operation of the government in the musical heritage, and the problem that the identification of traditional music is put under the protection and inheritance of the government. In order to provide a detailed case study of music and government politics and music in the field of musical anthropology.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J825;J617.2
【参考文献】
相关期刊论文 前2条
1 杨晓;;历史证据、历史建构与历时变迁——仪式音乐研究三视界[J];中国音乐学;2011年03期
2 廖丹;;从传统音乐的三个特性看音乐类非物质文化遗产保护[J];中国音乐学;2013年01期
，本文编号：2130598
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