赣南客家采茶戏旦角唱腔初步研究
发布时间：2018-07-24 20:29
【摘要】： 赣南客家采茶戏是赣南土生土长的民间歌舞小戏剧种,俗称“灯子戏”,又名“三角班”。采茶戏在历史发展过程中既保持自己独特的文化,又形成了与全国地方剧种相互借鉴、学习的优良品格。在演剧上形成了“两旦一丑”的模式;在剧情上、音乐上也不断发展与完善,创造了社会的乡俗与文明。 本论文采用民族音乐学的理论与方法,对赣南客家采茶戏旦角艺人、演员进行了个案调查与分析,通过以徐荣秀、陈美艳、黄玉英、龙红四位不同经历、不同发展阶段的旦角艺人、演员的剧目和曲牌唱腔的比较与归纳,探求了赣南客家采茶戏旦角唱腔在音乐形态上具有高音起腔、多用羽音、擅用拖腔、润腔和紧拉慢唱等特点,以及旦角唱腔对采茶戏剧种传承与发展的贡献。本文以为,赣南客家采茶戏虽是一种民歌式曲牌体连缀的地方剧种,在唱腔的音乐形态上、演唱上旦角和丑角唱腔都具有自身独有的风格和特征;同时,旦角唱腔的形成是一个逐步发展与繁荣的过程,经过几代旦角艺人和演员的薪火相传,在当代客家采茶戏中,形成了旦角表演体系中人物类型化和唱腔类型化的特征。
[Abstract]:Gannan Hakka tea-picking drama is a kind of folk music and dance drama born and raised in Gannan, commonly known as "Lantern Opera", also known as "Triangle Class." Tea picking drama not only maintains its own unique culture in the course of historical development, but also forms a good character of learning from each other. The model of "two days and one ugliness" has been formed in the drama, and in the plot, the music has been developed and perfected constantly, creating the local custom and civilization of the society. This paper adopts the theory and method of ethnomusicology to investigate and analyze the artists and actors of the Hakka tea picking opera in Gannan. Through four different experiences, Xu Rongxiu, Chen Meiyan, Huang Yuying and Long Hong, The comparison and induction of the performers' repertoire and the singing songs of the performers at different stages of development have explored the characteristics of the musical form of the Gannan Hakka tea picking opera, such as the singing of the tenor, the plume, the good use of drag, the moistening and the slow singing, and so on. As well as the danjiao singing to the tea-picking drama inheritance and development of the contribution. This paper holds that although Gannan Hakka tea picking opera is a kind of local opera with folk songs, the singing of the upper star and the clown has its own unique style and characteristics in the musical form of singing. The formation of danjiao singing is a process of gradual development and prosperity. After several generations of danjiao artists and actors, in the contemporary Hakka tea picking drama, it forms the characteristics of personage type and singing type in the performance system of Danjiao.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825
本文编号：2142566
[Abstract]:Gannan Hakka tea-picking drama is a kind of folk music and dance drama born and raised in Gannan, commonly known as "Lantern Opera", also known as "Triangle Class." Tea picking drama not only maintains its own unique culture in the course of historical development, but also forms a good character of learning from each other. The model of "two days and one ugliness" has been formed in the drama, and in the plot, the music has been developed and perfected constantly, creating the local custom and civilization of the society. This paper adopts the theory and method of ethnomusicology to investigate and analyze the artists and actors of the Hakka tea picking opera in Gannan. Through four different experiences, Xu Rongxiu, Chen Meiyan, Huang Yuying and Long Hong, The comparison and induction of the performers' repertoire and the singing songs of the performers at different stages of development have explored the characteristics of the musical form of the Gannan Hakka tea picking opera, such as the singing of the tenor, the plume, the good use of drag, the moistening and the slow singing, and so on. As well as the danjiao singing to the tea-picking drama inheritance and development of the contribution. This paper holds that although Gannan Hakka tea picking opera is a kind of local opera with folk songs, the singing of the upper star and the clown has its own unique style and characteristics in the musical form of singing. The formation of danjiao singing is a process of gradual development and prosperity. After several generations of danjiao artists and actors, in the contemporary Hakka tea picking drama, it forms the characteristics of personage type and singing type in the performance system of Danjiao.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825
【引证文献】
相关期刊论文 前1条
1 彭一敏;欧阳绍清;;非物质文化遗产“合理利用”问题的探讨[J];学术探索;2012年02期
相关硕士学位论文 前1条
1 许华春;赣南采茶舞蹈文化中的客、畲混化研究[D];福建师范大学;2012年
，本文编号：2142566
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