全福班研究
发布时间：2018-07-26 16:32
【摘要】：全福班是清末民初著名的职业昆班,与鸿福班、大章班、大雅班并称为当时姑苏四大昆班。该班成立于道光年间,最终散班于民国时期,经历了约百年的流变,在当时的剧坛拥有一定的影响力。班内人才辈出,为传承昆剧艺术、延续昆剧的生命做出了重大的贡献。此前的研究多未曾有对于该班系统、全面的论述。本文以全福班的近百年演艺史为基础,在清末民初的背景之下,整体性地观照该班的生存面貌,包括组织管理体系、演出剧目及班内艺人等,并对其在近现代昆剧史上的地位及影响进行评述。全文共分四章。第一章详细阐述全福班之名称解释、各阶段演剧历史和组织管理体系;第二章介绍班内生旦净末丑各行艺人,对其中技艺卓绝的艺人的表演风格、擅演剧目进行具体评述;第三章介绍全福班演出剧目,通过对比乾嘉时期常演剧目,总结出全福班演剧特色,即以继承传统、保存经典为主,适当排演新戏,迎合不同时期日益变化的观众审美趣味;第四章总结全福班在近代昆剧史上的地位及其对现代昆剧的回归、复兴所作的尝试、努力。
[Abstract]:Quanfu class is a famous career in the late Qing Dynasty and early Republic of China, and Hongfu class, Dazhang class and Daya class were called the four Kun classes at that time. The class was founded in the period of Daoguang, finally scattered in the Republic of China period, experienced about 100 years of change, in the theater at that time has a certain influence. Class of talented people, for the inheritance of Kunqu Opera art, the continuation of the life of Kunqu Opera made a significant contribution. Previous studies have not been for the class system, a comprehensive discussion. Based on the nearly 100 years performance history of Quanfu class, under the background of the late Qing Dynasty and the early Republic of China, this paper takes a holistic view of the existence of the class, including the organization and management system, the performing repertoire and the entertainers in the class, etc. It also comments on its status and influence in the history of modern Kunqu opera. The full text is divided into four chapters. The first chapter explains the name of Quanfu class in detail, the history of drama in each stage and the organization and management system, the second chapter introduces all kinds of entertainers in the class, and makes a concrete comment on the performing style of the highly skilled entertainers, who are good at performing repertoire. The third chapter introduces the performances of Quanfu classes, through comparing the performances of the Qianjia period, summed up the characteristics of the performances, that is, to inherit the tradition, preserve the classics, properly rehearse the new plays, cater to the changing aesthetic taste of the audience in different periods; Chapter four summarizes the status of Quan Fu Ban in the history of modern Kunqu Opera, and attempts and efforts to revive it.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
本文编号：2146611
[Abstract]:Quanfu class is a famous career in the late Qing Dynasty and early Republic of China, and Hongfu class, Dazhang class and Daya class were called the four Kun classes at that time. The class was founded in the period of Daoguang, finally scattered in the Republic of China period, experienced about 100 years of change, in the theater at that time has a certain influence. Class of talented people, for the inheritance of Kunqu Opera art, the continuation of the life of Kunqu Opera made a significant contribution. Previous studies have not been for the class system, a comprehensive discussion. Based on the nearly 100 years performance history of Quanfu class, under the background of the late Qing Dynasty and the early Republic of China, this paper takes a holistic view of the existence of the class, including the organization and management system, the performing repertoire and the entertainers in the class, etc. It also comments on its status and influence in the history of modern Kunqu opera. The full text is divided into four chapters. The first chapter explains the name of Quanfu class in detail, the history of drama in each stage and the organization and management system, the second chapter introduces all kinds of entertainers in the class, and makes a concrete comment on the performing style of the highly skilled entertainers, who are good at performing repertoire. The third chapter introduces the performances of Quanfu classes, through comparing the performances of the Qianjia period, summed up the characteristics of the performances, that is, to inherit the tradition, preserve the classics, properly rehearse the new plays, cater to the changing aesthetic taste of the audience in different periods; Chapter four summarizes the status of Quan Fu Ban in the history of modern Kunqu Opera, and attempts and efforts to revive it.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
【引证文献】
相关硕士学位论文 前1条
1 黄竞莹;上海“昆大班”的当代传承[D];中国戏曲学院;2013年
，本文编号：2146611
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