歌剧中宣叙调的作用及演唱研究
发布时间：2018-07-29 08:10
【摘要】：本文采用理论分析,通过文献研究法,个案研究法,描述性研究等提供有力的理论支持,重在希望引起音乐界人士对于歌剧中宣叙调段落的重视。目前,在我国声乐教学这一方面,不论是老师还是学生在学习歌剧这一方面,都只注重咏叹调的学习和训练,哪怕是有老师对学生进行宣叙调的练习,也只是伴随咏叹调的学习,然后很粗略的带过去,根本没有系统的方法来学习宣叙调,也不会认真的去了解它。包括国内的很多声乐书籍,有些几乎把宣叙段落全部删除掉,只留下咏叹调,把歌剧曲集改名为歌剧咏叹调曲集,而在研究歌剧方面,也很少有人专门独立的把宣叙调放出来进行研究,研究它的调式,调性,以及内容。但是实际上宣叙调对人类语言起了艺术化的改造作用,它从根本上产生了“令人感动的音乐”,并且在歌剧发展初期,知道发展到20世纪,它从未本质性的消失过,可见它所占得地位是很重要的。本文详细的介绍从宣叙调从17世纪伴随歌剧产生,到18一19世纪,在欧洲的发展,以及19世纪在我们国家,民族歌剧中宣叙调的发展是怎样的一个情况。它在歌剧每个不同时期所起的作用,以及它为什么在歌剧中占有不可替代的地位和目前它的发展趋势和现状,我们应该采取什么样的手段,来挽回局面。本文的重点在于,系统的在发声技巧和音乐素质培养这两个方面,分别从呼吸,共鸣,吐字,咬字,以及如何提高学习宣叙调的能力等几个方面来分析宣叙调在演唱时候有哪些是需要注意的,并分别例出多个宣叙调选段来进行分析。最后,本人对宣叙调的作用及其演唱特点做了总结,希望本文能够重新引起大家对宣叙调的重视。
[Abstract]:This article uses the theory analysis, through the literature research method, the case study method, the descriptive research and so on provides the powerful theory support, hopes to cause the music profession personage to declare the key paragraph in the opera the attention. At present, in the area of vocal music teaching in China, whether teachers or students are studying opera, they only pay attention to the study and training of arias, even if some teachers practice reciting to students. It is only accompanied by the arias, and then very rough with the past, there is no systematic way to learn to declare, nor serious to understand it. Including many vocal music books in China, some of them almost deleted all the narrative paragraphs, leaving only the arias, changing the opera collection to the opera aria collection, and studying opera. Few people study the style, tonality, and content of the narrative independently. But in fact, the narration played an artistic role in the transformation of human language. It fundamentally produced "moving music," and in the early stage of the development of opera, it was known that it had never disappeared in its essence until the 20th century. It can be seen that its position is very important. This paper introduces in detail the development in Europe from the 17th century to the 18th and 19th century, and the development of the national opera in our country in the 19th century. The role it plays in every period of opera, and why it occupies an irreplaceable position in opera and its current development trend and present situation, what measures should we take to remedy the situation. The emphasis of this paper is that, in the two aspects of sound production skills and music quality training, the two aspects are breath, resonance, spelling and pronunciation, respectively. And how to improve the ability of learning and other aspects to analyze the recital in singing which should be paid attention to, and give examples of several selected paragraphs to analyze. Finally, I summarize the function and singing characteristics of the recital tone, and hope that this paper can arouse the attention of everyone.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822
本文编号：2152053
[Abstract]:This article uses the theory analysis, through the literature research method, the case study method, the descriptive research and so on provides the powerful theory support, hopes to cause the music profession personage to declare the key paragraph in the opera the attention. At present, in the area of vocal music teaching in China, whether teachers or students are studying opera, they only pay attention to the study and training of arias, even if some teachers practice reciting to students. It is only accompanied by the arias, and then very rough with the past, there is no systematic way to learn to declare, nor serious to understand it. Including many vocal music books in China, some of them almost deleted all the narrative paragraphs, leaving only the arias, changing the opera collection to the opera aria collection, and studying opera. Few people study the style, tonality, and content of the narrative independently. But in fact, the narration played an artistic role in the transformation of human language. It fundamentally produced "moving music," and in the early stage of the development of opera, it was known that it had never disappeared in its essence until the 20th century. It can be seen that its position is very important. This paper introduces in detail the development in Europe from the 17th century to the 18th and 19th century, and the development of the national opera in our country in the 19th century. The role it plays in every period of opera, and why it occupies an irreplaceable position in opera and its current development trend and present situation, what measures should we take to remedy the situation. The emphasis of this paper is that, in the two aspects of sound production skills and music quality training, the two aspects are breath, resonance, spelling and pronunciation, respectively. And how to improve the ability of learning and other aspects to analyze the recital in singing which should be paid attention to, and give examples of several selected paragraphs to analyze. Finally, I summarize the function and singing characteristics of the recital tone, and hope that this paper can arouse the attention of everyone.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822
【引证文献】
相关硕士学位论文 前1条
1 杨玉霜;论张卓娅、王祖皆民族歌剧风格的创新[D];河南师范大学;2013年
，本文编号：2152053
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