泗州戏与皖北民俗文化
发布时间：2018-08-09 11:28
【摘要】： 泗州戏是安徽省主要剧种之一,旧时称“拉魂腔”,流行于皖北地区,是深受当地人民喜爱的地方小戏。作为地方小戏,它的产生、发展及流传都与民俗息息相关,本文从民俗学、文化学的角度对泗州戏进行系统的探讨和阐述。 全文共分四章,分别从泗州戏概况、泗州戏的演出、剧目题材内容、语言四个方面探讨皖北民俗文化对泗州戏的渗透和影响。 第一部分介绍泗州戏的起源、特点、与其它剧种之间的关系。它与流行江苏北部的柳琴戏、淮海戏,山东南部和河南东南的柳琴戏是同属拉魂腔声腔体系的姐妹剧种,均起源于江苏海州(即江苏省东海县)地区。拉魂腔流传到皖北地区便吸收了当地的民间舞蹈、民间音乐,成为具有皖北特色的地方剧种——泗州戏。 第二部分通过对泗州戏演出时间、地点的调查,考察皖北民俗对泗州戏演剧的影响。笔者发现,泗州戏演出是紧密配合民俗活动进行的,泗州戏演出时间、地点与民俗有着密切的关系。泗州戏已融入了皖北人民的生活,成为当地不可或缺的精神文化的一部分。 第三部分分析皖北民俗文化生活在泗州戏题材内容中的渗透。泗州戏剧目丰富,题材广泛,内容贴近民众生活,极富乡土气息。通过对剧目题材内容的分析,笔者发现皖北地区的物质生活民俗、社会生活民俗与精神生活民俗在剧目中都有不同程度的表现,泗州戏是研究皖北风俗人情的形象资料。 第四部分通过分析泗州戏剧目语言特色,笔者发现,泗州戏在流传的过程中吸收了具有皖北地方特色的方言俗语,具有质朴生动、亲切自然的特点。 本文的创新之处在于,在广泛搜罗泗州戏剧本,走访泗州戏研究专家及泗州戏剧团的基础上,笔者首次从民俗学、文化学的角度解读泗州戏。通过对泗州戏的演出、剧目题材内容、语言等分析发现皖北的民俗活动、方言俗语、民歌小调等都是泗州戏赖以生存发展的基础,民俗活动影响泗州戏演出的时间、地点,泗州戏的题材内容也深受民俗的渗透浸染。回归民间,融入民俗,体现民俗,正是泗州戏生命之所在。
[Abstract]:Sizhou Opera is one of the major operas in Anhui Province, formerly called "pull soul", popular in northern Anhui, is deeply loved by the local people. As a small local drama, its production, development and dissemination are closely related to folk customs. This paper systematically discusses and expounds Sizhou Opera from the perspective of folklore and culturology. The full text is divided into four chapters, respectively from the Sizhou opera general situation, the Sizhou opera performance, the drama theme content, the language four aspects discusses the northern Anhui folk custom culture to Sizhou drama infiltration and the influence. The first part introduces the origin, characteristics and relationship between Sizhou Opera and other operas. Together with the popular Liuqin Opera in northern Jiangsu, Huaihai Opera, and Liuqin Opera in southern Shandong and southeast Henan, they belong to the sisterly opera of the soul and soul system of Jiangsu Province, and all originated in the area of Haizhou, Jiangsu Province (that is, Donghai County, Jiangsu Province). Pull soul spread to the northern part of Anhui then absorbed the local folk dance, folk music, become the local opera with the characteristics of northern Anhui-Sizhou opera. The second part investigates the influence of Northern Anhui folklore on Sizhou drama through the investigation of the time and place of the performance. The author finds that the performance of Sizhou opera is closely coordinated with folklore activities, and the time and place of Sizhou opera performance are closely related to folklore. Sizhou Opera has been integrated into the life of the people of Northern Anhui and become an integral part of the local spiritual culture. The third part analyzes the infiltration of folk culture in Sizhou drama. Sizhou plays rich, a wide range of subjects, content close to the people's life, extremely local flavor. Based on the analysis of the contents of the plays, the author finds that the folk customs of material life, social life and spiritual life in northern Anhui have different degrees of expression in the repertoire. Sizhou Opera is the image material of studying customs and customs in northern Anhui. The fourth part through the analysis of the language features of Sizhou opera, the author found that Sizhou opera in the spread of the process of absorption of the local characteristics of Anhui dialect, with simple and vivid, cordial and natural characteristics. The innovation of this paper is that, on the basis of extensively searching Sizhou drama script, visiting Sizhou drama research experts and Sizhou opera troupe, the author interprets Sizhou drama for the first time from the angle of folklore and culturology. Based on the analysis of the performances of Sizhou Opera, the contents of repertoire, language and so on, it is found that folklore activities, dialects and folk songs in Northern Anhui are the basis for the survival and development of Sizhou operas, and folklore activities affect the time and place of Sizhou opera performances. The subject matter of Sizhou Opera is also deeply permeated by folk customs. Return to the folk, blend in folk customs, reflect folklore, is where the life of Sizhou drama.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
[Abstract]:Sizhou Opera is one of the major operas in Anhui Province, formerly called "pull soul", popular in northern Anhui, is deeply loved by the local people. As a small local drama, its production, development and dissemination are closely related to folk customs. This paper systematically discusses and expounds Sizhou Opera from the perspective of folklore and culturology. The full text is divided into four chapters, respectively from the Sizhou opera general situation, the Sizhou opera performance, the drama theme content, the language four aspects discusses the northern Anhui folk custom culture to Sizhou drama infiltration and the influence. The first part introduces the origin, characteristics and relationship between Sizhou Opera and other operas. Together with the popular Liuqin Opera in northern Jiangsu, Huaihai Opera, and Liuqin Opera in southern Shandong and southeast Henan, they belong to the sisterly opera of the soul and soul system of Jiangsu Province, and all originated in the area of Haizhou, Jiangsu Province (that is, Donghai County, Jiangsu Province). Pull soul spread to the northern part of Anhui then absorbed the local folk dance, folk music, become the local opera with the characteristics of northern Anhui-Sizhou opera. The second part investigates the influence of Northern Anhui folklore on Sizhou drama through the investigation of the time and place of the performance. The author finds that the performance of Sizhou opera is closely coordinated with folklore activities, and the time and place of Sizhou opera performance are closely related to folklore. Sizhou Opera has been integrated into the life of the people of Northern Anhui and become an integral part of the local spiritual culture. The third part analyzes the infiltration of folk culture in Sizhou drama. Sizhou plays rich, a wide range of subjects, content close to the people's life, extremely local flavor. Based on the analysis of the contents of the plays, the author finds that the folk customs of material life, social life and spiritual life in northern Anhui have different degrees of expression in the repertoire. Sizhou Opera is the image material of studying customs and customs in northern Anhui. The fourth part through the analysis of the language features of Sizhou opera, the author found that Sizhou opera in the spread of the process of absorption of the local characteristics of Anhui dialect, with simple and vivid, cordial and natural characteristics. The innovation of this paper is that, on the basis of extensively searching Sizhou drama script, visiting Sizhou drama research experts and Sizhou opera troupe, the author interprets Sizhou drama for the first time from the angle of folklore and culturology. Based on the analysis of the performances of Sizhou Opera, the contents of repertoire, language and so on, it is found that folklore activities, dialects and folk songs in Northern Anhui are the basis for the survival and development of Sizhou operas, and folklore activities affect the time and place of Sizhou opera performances. The subject matter of Sizhou Opera is also deeply permeated by folk customs. Return to the folk, blend in folk customs, reflect folklore, is where the life of Sizhou drama.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
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