逼真的诱惑——百年来中国写实话剧演出发展的美学动因
发布时间：2018-08-16 12:56
【摘要】：清末民初,中国戏剧最大的变革是话剧的诞生。话剧是从西方传入中国的新剧种,话剧当时给中国戏剧带来的新的美学特征,是写实主义,是力求视觉逼真的舞台叙事模式。由于话剧对视觉逼真的追求建立在中西戏剧之差异、话剧与中国传统戏曲之差异的基础上,因而"逼真"成为非常强劲的审美动力,推动着中国话剧的发展。中国写实话剧演出经历了以下的阶段:从不真的表演与逼真背景的分离,到逼真的表演完全融入逼真的背景,再到逼真的表演与写意背景相得益彰,写实与写意兼容,写实与表现兼容。但是,逼真的、性格化表演仍然在写实主义话剧中拥有核心地位。
[Abstract]:In the late Qing Dynasty and early Republic of China, the greatest change in Chinese drama was the birth of drama. Modern drama is a new kind of drama introduced into China from the west. It brought new aesthetic characteristics to Chinese drama at that time, it is realism and the stage narrative mode that strives for the visual lifelike. Because the pursuit of visual realism in modern drama is based on the difference between Chinese and western drama and the difference between modern drama and Chinese traditional opera, "lifelike" becomes a very strong aesthetic motive force and promotes the development of Chinese modern drama. Chinese realistic drama performance has gone through the following stages: never really performing and lifelike background separation, to lifelike performance fully integrated into the lifelike background, then to realistic performance and freehand brushwork background complement each other, realistic and freehand brushwork compatible, Realism and performance are compatible. However, lifelike, characterizing performances still play a central role in realistic drama.
【作者单位】： 上海戏剧学院图书馆;
【基金】：“上海市高峰高原学科建设计划”的阶段性成果,项目编号:SH1510GFXK
【分类号】：J824
本文编号：2186048
[Abstract]:In the late Qing Dynasty and early Republic of China, the greatest change in Chinese drama was the birth of drama. Modern drama is a new kind of drama introduced into China from the west. It brought new aesthetic characteristics to Chinese drama at that time, it is realism and the stage narrative mode that strives for the visual lifelike. Because the pursuit of visual realism in modern drama is based on the difference between Chinese and western drama and the difference between modern drama and Chinese traditional opera, "lifelike" becomes a very strong aesthetic motive force and promotes the development of Chinese modern drama. Chinese realistic drama performance has gone through the following stages: never really performing and lifelike background separation, to lifelike performance fully integrated into the lifelike background, then to realistic performance and freehand brushwork background complement each other, realistic and freehand brushwork compatible, Realism and performance are compatible. However, lifelike, characterizing performances still play a central role in realistic drama.
【作者单位】： 上海戏剧学院图书馆;
【基金】：“上海市高峰高原学科建设计划”的阶段性成果,项目编号:SH1510GFXK
【分类号】：J824
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相关期刊论文 前1条
1 欧阳予倩;苏联戏剧专家普·乌·列斯里同志对中国戏剧运动的巨大贡献[J];戏剧报;1956年02期
【共引文献】
相关期刊论文 前2条
1 汤逸佩;;逼真的诱惑——百年来中国写实话剧演出发展的美学动因[J];戏剧艺术;2017年03期
2 杨秀玲;;敬畏中创新 表演中求精[J];中国戏剧;2016年01期
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