明代曲学家沈宠绥的四声唱法论
发布时间：2018-08-16 16:09
【摘要】：沈宠绥是明代最重要的曲学理论家之一,是继魏良辅之后曲学发展史上又一个里程碑式的人物。平、上、去、入四声是汉语言独具的语音要素,自南朝沈约等人对四声加以总结以来,后世词曲家都对四声与歌唱的关系问题投以了相当的关注。沈宠绥在前人论述基础上结合自己的唱曲经验,在其著作《度曲须知》中详细分析了唱曲中平、上、去、入四种声调的具体唱法。他在这方面的探索和论述构建起了昆曲演唱中字音、口法的基本规范,一方面远绍曲圣魏良辅,一方面又对后世徐大椿等曲学家影响深远,不仅在当时,而且一直到现在,都对舞台上的戏曲演唱有非常重要的指导作用。
[Abstract]:Shen Congsui is one of the most important music theorists in Ming Dynasty and a milestone figure in the history of qu science after Wei Liangfu. Since Shen Yue et al in the Southern Dynasty summed up the four sounds, later songwriters have paid considerable attention to the relationship between the four sounds and singing. On the basis of his predecessors' exposition, Shen Congsui analyzed in detail the specific singing methods of four kinds of tones in his works, "the Notes on the degree of songs". His exploration and discussion in this respect set up the basic norms of the Chinese characters and pronunciation in the singing of Kunqu Opera. On the one hand, he had a profound influence on qu San Wei Liangfu, on the other hand, he had a profound influence on the later generations, such as Xu Dachun, and so on, not only at that time, but also up to the present. Both of them have a very important role in guiding the performance of the opera on the stage.
【基金】：2009年度教育部人文社会科学重点研究基地重大项目“中国昆曲音乐研究”的研究成果之一,项目编号:JJD760002
【分类号】：J617
本文编号：2186489
[Abstract]:Shen Congsui is one of the most important music theorists in Ming Dynasty and a milestone figure in the history of qu science after Wei Liangfu. Since Shen Yue et al in the Southern Dynasty summed up the four sounds, later songwriters have paid considerable attention to the relationship between the four sounds and singing. On the basis of his predecessors' exposition, Shen Congsui analyzed in detail the specific singing methods of four kinds of tones in his works, "the Notes on the degree of songs". His exploration and discussion in this respect set up the basic norms of the Chinese characters and pronunciation in the singing of Kunqu Opera. On the one hand, he had a profound influence on qu San Wei Liangfu, on the other hand, he had a profound influence on the later generations, such as Xu Dachun, and so on, not only at that time, but also up to the present. Both of them have a very important role in guiding the performance of the opera on the stage.
【基金】：2009年度教育部人文社会科学重点研究基地重大项目“中国昆曲音乐研究”的研究成果之一,项目编号:JJD760002
【分类号】：J617
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