湖南花鼓戏润腔特点研究
发布时间：2018-08-19 06:38
【摘要】： 本文试图通过深入研究湖南花鼓戏的历史沿革、各方言地区分类以及润腔种类,总结花鼓戏咬字、润腔的规律和特点,提出一些现今在民族声乐演唱中经常存在的咬字、润腔方面的问题,将从花鼓戏特色中吸取的优点长处,用于民族声乐的演唱。同时民族声乐演唱也需要花鼓戏之类的戏曲风格的滋养和充实,并从花鼓戏等诸多民间曲剧种中得以借鉴和吸收。 本研究通过对花鼓戏的历史研究和理论研究、对珍贵音响音像资料的搜集整理以及相关文献的查阅,并结合实例将花鼓戏在咬字、润腔等方面独特的艺术元素进行技术分析和艺术实践的有机结合,为声乐演唱中所存在的最突出的发声和咬字等问题提出合理解决方案,从而得出以下结论: 湖南花鼓戏在润腔中有着鲜明的特点和风格,它的倚音、波音、滑音、花舌腔、高低腔讲究自然流畅,收放自如,这些往往是民族声乐演唱者在演唱时碰到的难题,同时花鼓戏因其自身在演唱方法上存在不足,也应向美声演唱和民族声乐学习和吸取更科学的发声方法,以及促进花鼓戏剧种的振兴和发展。
[Abstract]:This paper attempts to study the historical evolution of Hunan Hua-gu Opera, the regional classification of various dialects and the types of Runcao, sum up the rules and characteristics of Hua-Du Opera's pronunciation, and put forward some words that often exist in the singing of national vocal music nowadays. The advantages of the features of the flower drum play will be used in the singing of the national vocal music. At the same time, the singing of national vocal music also needs the nourishment and enrichment of the style of opera such as flower drum opera, and can be used for reference and absorbed from many kinds of folk opera, such as flower drum play. Through the historical and theoretical study of the flower drum play, the collection and arrangement of the precious audio, audio and video materials and the reference of the relevant documents, this study combined with an example to pronounce the characters of the flower drum play. The unique artistic elements, such as moistening the cavity, combine the technical analysis with the artistic practice, and put forward reasonable solutions for the most prominent problems in vocal singing, such as vocalization and pronunciation. The following conclusions can be drawn: Hunan Flower Drum Opera has distinct characteristics and styles in the runing cavity. Its lean sound, Boeing, slippery sound, flower-tongue cavity, high and low cavity are naturally smooth and easy to put. These are often the difficult problems encountered by the national vocal singers. At the same time, because of the deficiency of their own singing methods, Huagu opera should also learn from the beautiful singing and the national vocal music and absorb more scientific vocalization methods. And promote the revitalization and development of flower drum drama.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825
本文编号：2190957
[Abstract]:This paper attempts to study the historical evolution of Hunan Hua-gu Opera, the regional classification of various dialects and the types of Runcao, sum up the rules and characteristics of Hua-Du Opera's pronunciation, and put forward some words that often exist in the singing of national vocal music nowadays. The advantages of the features of the flower drum play will be used in the singing of the national vocal music. At the same time, the singing of national vocal music also needs the nourishment and enrichment of the style of opera such as flower drum opera, and can be used for reference and absorbed from many kinds of folk opera, such as flower drum play. Through the historical and theoretical study of the flower drum play, the collection and arrangement of the precious audio, audio and video materials and the reference of the relevant documents, this study combined with an example to pronounce the characters of the flower drum play. The unique artistic elements, such as moistening the cavity, combine the technical analysis with the artistic practice, and put forward reasonable solutions for the most prominent problems in vocal singing, such as vocalization and pronunciation. The following conclusions can be drawn: Hunan Flower Drum Opera has distinct characteristics and styles in the runing cavity. Its lean sound, Boeing, slippery sound, flower-tongue cavity, high and low cavity are naturally smooth and easy to put. These are often the difficult problems encountered by the national vocal singers. At the same time, because of the deficiency of their own singing methods, Huagu opera should also learn from the beautiful singing and the national vocal music and absorb more scientific vocalization methods. And promote the revitalization and development of flower drum drama.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825
【引证文献】
相关硕士学位论文 前6条
1 宾蕾;湖南花鼓戏花旦唱腔特点探究[D];中央民族大学;2011年
2 贺鲁湘;论湖南花鼓戏的发展与推广[D];湖南师范大学;2012年
3 曹瑾;探平凉曲子戏的演唱艺术[D];上海音乐学院;2012年
4 曾比翼;论花鼓戏唱腔在湖南民歌演唱中的特征[D];云南艺术学院;2013年
5 李燕;岳阳花鼓戏的唱腔研究[D];湖南师范大学;2013年
6 肖翠;湖南益阳花鼓戏的演唱特点研究[D];湖南师范大学;2013年
，本文编号：2190957
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