京剧《贵妃醉酒》唱腔研究
发布时间：2018-08-23 09:10
【摘要】：京剧在长期的历史发展过程中,通过艺术融合积淀出自己独具特色的声腔特征与风格,也曾一度是全国戏曲品种的中心,因此京剧可以说是极具代表性的剧种(特别是在板腔体戏曲音乐中)。《贵妃醉酒》,在京剧的发展史中占据着特殊的地位,尤其是对于梅派唱腔来说,更具里程碑意义。该剧不仅展现了梅派唱腔独特的艺术魅力,也从中反映出对京剧唱腔艺术的重要影响。 本文主要运用分析比较、举例论证等方法,选取京剧梅派经典剧目之一——《贵妃醉酒》唱腔为研究对象,以梅兰芳先生的唱腔为参照,对其唱腔音乐特征进行分析,又与同流派(梅派)、异流派(尚派、张派等)的代表性艺术家的唱腔特点进行比对。并试图梳理《贵妃醉酒》唱腔在时代文化发展中的运用以及创新,期以探索该剧在音乐文化中的借鉴价值以及发展前景。 第一章以梅兰芳先生演绎《贵妃醉酒》的唱腔为分析对象,对该剧的唱腔设计、结构以及音乐特征的梳理与分析。 第二章在第一章的研究基础上先将梅派代表艺术家和其他流派的代表艺术家的唱腔进行记谱,然后对各艺术家的唱腔特色进行分析。 第三章按照时代发展的过程,在新兴音乐艺术形式的变化、发展中,对《贵妃醉酒》的具体应用作出多元分析。 通过对《贵妃醉酒》唱腔的各方面分析研究,不仅总结出该剧在传统京剧发展历史过程中占有重要的地位,同时也从它随时代的变迁而展现的演变形式,看到京剧这种传统的艺术品种,要在多元文化中求得适时的拓展,不仅要继承传统的精髓,更应该时刻秉承开放和创新的思维。
[Abstract]:In the course of its long history, Peking Opera has accumulated its own unique vocal features and styles through artistic integration, and it was once the center of the variety of opera in the country. Therefore, Beijing Opera can be said to be a very representative opera (especially in the traditional Chinese opera music). Drunkenness of the imperial concubine occupies a special position in the development of Beijing Opera, especially for the opera of the Mei School. The play not only shows the unique artistic charm of Mei School singing, but also reflects the important influence on the singing art of Peking Opera. This article mainly uses the analysis comparison, the example demonstration and so on method, selects the Peking opera Mei school classical repertoire-"the imperial concubine drunk" to be the research object, takes Mr. Mei Lanfang's singing as the reference, carries on the analysis to its singing music characteristic, And with the same school (Mei school), different schools (Shang, Zhang, etc.) of the representative artists to compare the characteristics of singing. In order to explore the reference value and development prospect of the play in the music culture, the author tries to comb the application and innovation of the singing in the development of the culture of the times. In the first chapter, the author analyzes and analyzes the choir design, structure and music features of Mr. Mei Lanfang's interpretation of "drunken Princess". On the basis of the research in the first chapter, the second chapter firstly records the canto of the representative artists of the Mei School and other schools, and then analyzes the characteristics of the singing songs of the artists. The third chapter, according to the development process of the times, in the new music art form changes, the development, to "the imperial concubine drunk" the concrete application makes the multivariate analysis. Through the analysis and research on various aspects of the singing of "the imperial concubine drunk", it is not only concluded that the opera plays an important role in the development of the traditional Beijing opera, but also the evolution form that it shows with the change of the times. To see this kind of traditional works of art, Beijing Opera should not only inherit the essence of tradition, but also keep the open and innovative thinking.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J821
本文编号：2198580
[Abstract]:In the course of its long history, Peking Opera has accumulated its own unique vocal features and styles through artistic integration, and it was once the center of the variety of opera in the country. Therefore, Beijing Opera can be said to be a very representative opera (especially in the traditional Chinese opera music). Drunkenness of the imperial concubine occupies a special position in the development of Beijing Opera, especially for the opera of the Mei School. The play not only shows the unique artistic charm of Mei School singing, but also reflects the important influence on the singing art of Peking Opera. This article mainly uses the analysis comparison, the example demonstration and so on method, selects the Peking opera Mei school classical repertoire-"the imperial concubine drunk" to be the research object, takes Mr. Mei Lanfang's singing as the reference, carries on the analysis to its singing music characteristic, And with the same school (Mei school), different schools (Shang, Zhang, etc.) of the representative artists to compare the characteristics of singing. In order to explore the reference value and development prospect of the play in the music culture, the author tries to comb the application and innovation of the singing in the development of the culture of the times. In the first chapter, the author analyzes and analyzes the choir design, structure and music features of Mr. Mei Lanfang's interpretation of "drunken Princess". On the basis of the research in the first chapter, the second chapter firstly records the canto of the representative artists of the Mei School and other schools, and then analyzes the characteristics of the singing songs of the artists. The third chapter, according to the development process of the times, in the new music art form changes, the development, to "the imperial concubine drunk" the concrete application makes the multivariate analysis. Through the analysis and research on various aspects of the singing of "the imperial concubine drunk", it is not only concluded that the opera plays an important role in the development of the traditional Beijing opera, but also the evolution form that it shows with the change of the times. To see this kind of traditional works of art, Beijing Opera should not only inherit the essence of tradition, but also keep the open and innovative thinking.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J821
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