华县皮影研究
发布时间：2018-08-23 13:10
【摘要】：本文从华县皮影的制作工艺、艺术风格、声腔表演等方面全面展示这门精巧的民间艺术。中国皮影艺术是民间工艺美术与戏曲巧妙结合的独特艺术品种,其历史悠久,流派众多,其中以关中地区东路皮影的影响最为广泛,而关中东路皮影又以华县地区的皮影为突出代表。华县皮影与全国其他各派系皮影相比较,无论雕刻、表演亦或唱腔都有突出特点。 传统文化的保护和发展,已经成为在经济全球化过程中维护世界文化多样性以及人类社会可持续发展的重要方面。现代化进程不断加快,为当代文化的发展创造了条件,也使传统文化的生存和发展陷入了困境。皮影这门起源并传承于民间的文化艺术,也难以抵挡汹涌澎湃的现代化大潮,发生了剧烈的改变,在我国多数地区几近消失,面临着失传或消失的境地。与现今各地不同流派的皮影艺术的发展现状相比,华县的皮影形成了影戏衰微而影偶工艺品热销这一特殊现象。本文在丰富文献资料的基础上,结合田野调查资料,尝试从客观与主观的角度综合揭晓今天华县所出现的影戏衰败而影偶热销这一独特现象多方面的原因；以期促进影戏与影偶艺术的共同繁荣发展与传承,保护文化的多样性,实现文化与人的和谐及可持续发展。 文中第一部分总结回顾了国内学者关于皮影的研究成果,并介绍本文的相关研究理论与方法；第二部分简要介绍华县的地理人文环境与华县皮影的历史渊源、地位影响；第三部分从造型特征、雕刻艺术、演出活动三个方面介绍华县皮影的特点；第四部分从影戏表演、皮影制作两方面介绍华县皮影的传承现状,尝试对比分析导致‘影热戏衰’这一传承现状的多方面原因；第五部分针对影戏与影偶的传承现状,探讨华县皮影的影戏表演技艺与皮影制作工艺的共同传承发展。
[Abstract]:This article shows the exquisite folk art from the aspects of making craft, artistic style and vocal performance of Huaxian shadow. Chinese shadow art is a unique art variety which combines folk arts and crafts with traditional Chinese opera skillfully. It has a long history and many schools, among which the influence of East Road shadow in Guanzhong area is the most extensive. And Guanzhong East Road shadow and Huaxian area shadow for prominent representatives. Huaxian shadow compared with other factions across the country, regardless of carving, performance or singing have outstanding characteristics. The protection and development of traditional culture has become an important aspect of maintaining world cultural diversity and sustainable development of human society in the process of economic globalization. The process of modernization is speeding up, which creates conditions for the development of contemporary culture and makes the survival and development of traditional culture fall into difficulties. Shadow, which originated from and passed on to the folk culture and art, can hardly resist the surging tide of modernization and has undergone drastic changes. It has almost disappeared in most areas of our country, and is facing the situation of loss or disappearance. Compared with the present situation of shadow art in different schools, shadow play in Huaxian County has become a special phenomenon. On the basis of abundant literature and field investigation, this paper tries to comprehensively reveal the reasons for the decline of the movie drama in Huaxian and its popularity from an objective and subjective point of view. The aim is to promote the common prosperity and inheritance of the film play and the art of film puppet, to protect the diversity of culture, and to realize the harmonious and sustainable development of culture and people. The first part of the paper summarizes and reviews the research results of domestic scholars on shadow, and introduces the relevant research theories and methods, the second part briefly introduces the historical origin and status influence of Huaxian geographical and humanistic environment and shadow. The third part introduces the features of shadow in Huaxian from three aspects of modeling features, carving art and performance activities. The fourth part introduces the present status of shadow inheritance in Huaxian from two aspects: shadow play performance and shadow production. The fifth part aims at the present situation of shadow play and shadow puppets, and discusses the common inheritance and development of shadow play performance technology and shadow making technology in Huaxian.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J827
本文编号：2199179
[Abstract]:This article shows the exquisite folk art from the aspects of making craft, artistic style and vocal performance of Huaxian shadow. Chinese shadow art is a unique art variety which combines folk arts and crafts with traditional Chinese opera skillfully. It has a long history and many schools, among which the influence of East Road shadow in Guanzhong area is the most extensive. And Guanzhong East Road shadow and Huaxian area shadow for prominent representatives. Huaxian shadow compared with other factions across the country, regardless of carving, performance or singing have outstanding characteristics. The protection and development of traditional culture has become an important aspect of maintaining world cultural diversity and sustainable development of human society in the process of economic globalization. The process of modernization is speeding up, which creates conditions for the development of contemporary culture and makes the survival and development of traditional culture fall into difficulties. Shadow, which originated from and passed on to the folk culture and art, can hardly resist the surging tide of modernization and has undergone drastic changes. It has almost disappeared in most areas of our country, and is facing the situation of loss or disappearance. Compared with the present situation of shadow art in different schools, shadow play in Huaxian County has become a special phenomenon. On the basis of abundant literature and field investigation, this paper tries to comprehensively reveal the reasons for the decline of the movie drama in Huaxian and its popularity from an objective and subjective point of view. The aim is to promote the common prosperity and inheritance of the film play and the art of film puppet, to protect the diversity of culture, and to realize the harmonious and sustainable development of culture and people. The first part of the paper summarizes and reviews the research results of domestic scholars on shadow, and introduces the relevant research theories and methods, the second part briefly introduces the historical origin and status influence of Huaxian geographical and humanistic environment and shadow. The third part introduces the features of shadow in Huaxian from three aspects of modeling features, carving art and performance activities. The fourth part introduces the present status of shadow inheritance in Huaxian from two aspects: shadow play performance and shadow production. The fifth part aims at the present situation of shadow play and shadow puppets, and discusses the common inheritance and development of shadow play performance technology and shadow making technology in Huaxian.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J827
【参考文献】
相关期刊论文 前4条
1 赵建新;中国影戏溯源[J];兰州大学学报;1995年01期
2 康保成,宋俊华,倪彩霞,郑守治;潮州影系的个案研究——关于陆丰皮影的田野考察[J];民间文化论坛;2005年01期
3 陈胜莲 ,魏凤男 ,张琪;“化石,还活着……”——华州皮影戏雕镂与演唱艺术的历史传统[J];渭南师专学报;1993年04期
4 康保成;佛教与中国皮影戏的发展[J];文艺研究;2003年05期
相关博士学位论文 前1条
1 张泓;碗碗腔研究[D];上海戏剧学院;2008年
相关硕士学位论文 前1条
1 黄雪;华县皮影的艺术精神[D];西安美术学院;2005年
，本文编号：2199179
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2199179.html
