汉剧三国戏研究

发布时间：2018-08-28 19:12

【摘要】：汉剧是湖北省的地方大剧,她有着四百年的悠久历史和深厚的文化内涵。汉剧剧目中历史剧占有相当大的比重,而在历史剧中“三国戏”的数量之丰富、影响之深远,亦成为一道独特的风景。但遗憾的是,目前学术界对汉剧的研究还非常少,而对汉剧的三国戏的系统研究更是几乎无人涉及。本文选取汉剧中的三国戏为研究对象,分别从三个方面来对汉剧三国戏展开论述：首先从汉剧三国戏的剧目、剧本入手来探究其题材来源,然后重点论述现代汉剧的的直接来源早期汉剧,最后从戏曲表演的角度来介绍汉剧名家与三国戏的渊源。一是汉剧三国戏的剧目、剧本、题材来源概述。剧目方面,主要是通过《汉剧剧目表》、《汉剧传统剧目考证》、《汉剧志》、《汉剧史料专辑》中的三国戏剧目的考证,得出其具体的数目。剧本方面,现代汉剧主要以《湖北地方戏曲丛刊》中收录的53个三国戏剧本为蓝本,按照剧本来源、剧本规模、剧中主要人物、表演行当等四个标准,将它们分类概述。题材溯源方面,主要考察了汉剧三国戏与《三国演义》、元明杂剧、明清传奇的关系,探讨了汉剧三国戏的继承与发展过程。二是早期汉剧三国戏。内容上主要包括《新镌楚曲十种》中的三国戏《英雄志》、《祭风台》,《俗文学丛刊》中的楚曲三国戏《辕门射戟》、《曹公赐马》、《东吴招亲》等5个这些早期楚曲的特色有四点：一是剧本形式较古老,二是剧本内容粗糙民间色彩浓厚,三是语言风格浅白平直,四是表演行当重视男性脚色。它们对现代汉剧产生了重要的影响,现代汉剧在此基础上得到继承和发展。三是汉剧名家与三国戏。本文主要选取了早期的汉剧名家“活关公”——米应先“汉派老生”——余三胜,近现代的汉剧名家汉剧大王——余洪元、“余派”艺术传人——胡桂林、钱文奎、陈春芳、“活周瑜”——董金林、“活蒋干”——李春森等人作为个案研究。通过他们的精湛表演,来感受汉剧的魅力。总之,汉剧中的三国戏数量可观、内容丰富、形式多样、源远流长,早期楚曲中的三国戏特色鲜明、影响深远,汉剧国戏的表演艺术精湛、独具魅力。它们不仅在汉剧中具有重要的研究价值,而且在中国戏曲史上也占有十分重要的地位。
[Abstract]:Han opera is a local drama in Hubei province. It has a long history of 400 years and profound cultural connotation. The historical drama occupies a large proportion in the Han opera repertoire, and the abundance and far-reaching influence of the "three Kingdoms" in the historical drama have also become a unique landscape. Unfortunately, the academic research on Han opera is still very few, and the systematic study of the three Kingdoms drama is almost nobody involved. This article selects the three Kingdoms drama in the Han opera as the research object, respectively from three aspects to carry on the elaboration to the three Kingdoms drama of the Han opera: first, from the Han opera three Kingdoms drama repertoire, the script starts to explore its subject matter source, Then focus on the direct source of modern Chinese drama early Han opera, and finally from the perspective of opera performance to introduce the origin of the Han opera and the three Kingdoms opera. The first is the drama of the three Kingdoms drama, script, the source of the outline of the subject matter. In terms of repertoire, it is mainly through the textual research on the aims of the three dramas in "the Table of the Chinese Drama repertoire", "the textual Research on the traditional Drama programs of the Han Opera", "the Records of the Han Drama", and "the album of the Historical Materials of the Han Drama", to obtain its specific number. In terms of script, modern Chinese drama is based on the 53 three Kingdoms Drama which is included in Hubei Local Drama Series. According to the source of the script, the scale of the play, the main characters of the play and the acting profession, they are classified and summarized. In terms of the origin of the subject matter, it mainly examines the relationship between the three Kingdoms Drama and the Romance of the three Kingdoms, the Yuan and Ming Dynasty dramas, and the legends of the Ming and Qing dynasties, and probes into the inheritance and development process of the three Kingdoms Drama of the Han Opera. Second, the early Han opera three-country drama. The contents mainly include "heroic Records", "sacrificing Wind stage" in "Ten kinds of New Chu qu", "Euphorbia", "Cao Gongzi Horse", "East Wu recruiting relatives", and so on, which are the characteristics of these early Chu operas in the "popular Literature Series", "the Triple Drama of the three Kingdoms", "Cao Gongzi Horse", "Dongwu inviting relatives", and so on. There are four things: one is that the script is older. Second, the content of the script rough folk color, three is the language style plain, four is the performance industry should attach importance to the male role. They have had an important influence on modern Chinese drama, which has been inherited and developed on this basis. The third is the famous Han opera and the three Kingdoms Opera. This article mainly selects the early Han opera famous school "Huoguan Gong"-Mi Ying "Han school old life"-Yu San-sheng, the modern Han opera famous Han opera great king-Yu Hongyuan, "Yu School" art successor -Hu Guilin, Qian Wenkui, Chen Chunfang, Living Zhou Yu-Dong Jinlin, living Jiang Gan-Li Chunsen and others as case studies. Through their exquisite performance, to feel the charm of Han opera. In a word, the number of the three Kingdoms in the Han opera is considerable, the content is rich, the form is diverse, the history is long, the three Kingdoms opera in the early Chu opera has the distinct characteristic, the influence is profound, the performance art of the Han opera country drama is exquisite, has the unique charm. They not only have important research value in Han opera, but also occupy a very important position in the history of Chinese opera.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I207.36;J825

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