歌剧《波佩亚的加冕》唱段“被鄙视的皇后”作品及演唱分析

发布时间：2018-09-03 15:01

【摘要】：16世纪,音乐表现的问题第一次成为理论家和作曲家注意的中心,人文主义者坚持认为:如果古希腊时代的音乐曾以无与伦比的力量模仿并激发了人类的情感,那么音乐应该能够光复失地。于是,从文艺复兴开始音乐家开始关注音乐表现的各种手法,尤其蒙特威尔第在他的音乐中甚至显出极深的心理洞察1。《被鄙视的皇后》出自蒙特威尔第歌剧《波佩亚的加冕》,作为他晚期的作品,曲目中声乐与器乐的两条旋律线交织在一起,呈现复调音乐走向辉煌前的最佳状态。它所运用得“激动风格”是“音乐为戏剧服务”最早的范例。在本文中笔者将从作品中旋律的流动性、独具推动性的伴奏复调织体、演唱音色处理及演唱版本比较,从深处挖掘此曲。由于该部歌剧在国内很少上演,笔者将这个课题作为研究对象进行较为浅显的探讨和研究,希望能起到抛砖引玉,引起更多演唱者对蒙特威尔第歌剧艺术的兴趣与重视。
[Abstract]:In the 16th century, the problem of musical expression became the focus of attention of theorists and composers for the first time. Humanists insisted that if ancient Greek music had imitated and stimulated human emotions with unparalleled power, then music should be able to recover its lost ground. Various techniques, especially Monteverdy's profound psychological insights in his music 1. from Monteverdy's opera , as his later works, vocal and instrumental music in the repertoire intertwined with the two melodic lines, showing the best state of polyphonic music before its brilliance. The earliest example of "music serves drama" is the "exciting style". In this paper, the author will dig this song from the depth by comparing the melodic fluidity of the work, the unique impetus of accompaniment polyphony texture, singing timbre processing and singing version. The elephant carries on the comparatively shallow discussion and the research, hoped can throw the brick to attract jade, causes more singers to the Montevideo opera art interest and the attention.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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