1919-1937：海外推介与中外对话中的戏曲艺术
发布时间：2018-09-08 16:15
【摘要】：从1919到1937年近二十年间,是中国戏曲艺术开始主动向非华人圈的异文化世界进行大力推介,积极寻求世界回应与对话的自觉期与高潮期。特定时代思想氛围中的喧哗众声却形成了推动、加速戏曲走向更广阔世界的合力,海外公演、对外书刊中的介绍宣传和舞台剧目译介都超越了以往的规模和影响。相较于之前古典戏曲经典文本域外传播和海外华人圈中戏曲演出的历史,这一时期寻求回应与对话诉求之主动和强烈,异文化世界介入、发声之积极,以及在关注对象上对当下流行剧目、舞台艺术层面和剧坛发展现状之倚重,也都使得在各种交流对话的互动场域内,更具现实影响力的言说得以形成。这些围绕着戏曲艺术的中外言说,既有着各异的表达立场与动机,也必然经历了信息传递与接收过程中种种有意无意的处理。它们的形成、聚焦、争鸣与被选择加工的历史,不仅反映了多元语境之下,被视为传统文化代表的戏曲艺术正在嬗变中的复杂混合面貌及其背后各种认识与思考的斗争,同时也对戏曲艺术现代嬗变的历史进程本身产生了深刻的影响,其范围涵盖了剧目文本、戏曲文化价值的判断与定位、实践层面的舞台艺术语汇及其呈现,以及戏曲艺术理论的构建和表达等方方面面。今天我们关于戏曲传统观、戏曲艺术特征一些看似基本的认识,都曾在这样一个重要的知识生产场域中经历了不乏曲折的塑造。长期以来,除了其中少数演出事件及其引发的一部分讨论受到关注之外,这段历史中还有大量言论尚待挖掘、译介与整理,如何尽可能全面地回顾梳理这段历史、尽量客观地理解其中的历史之因果,是我们今天在对戏曲艺术现代化进程的反思中无法绕开的一个重要问题。 本论文以“海外推介和中外对话中的戏曲艺术”为研究对象,结合社会思想文化史的考察,分析二三十年代戏曲海外推介高潮形成的多重原因,回到20世纪戏曲艺术海外推介、交流的第一个自觉期与高潮期的具体历史情境中来展现代兴之际的剧界景观。同时,挖掘考察此时期关于戏曲艺术的推介言论与中外对话,提炼其中的焦点问题,在对言说动机与接受立场的观照中,看待这场对话与作为其结果之一的戏曲艺术的现代嬗变之间的关系。在此基础上,对戏曲近代以来发展进程中的“西方化”、“国粹化”与戏曲的现代性等问题做出回应,对1919-1937年间戏曲海外推介与交流的影响、历史意义和价值,做出评价、提出新见。
[Abstract]:From 1919 to 1937, it was the Chinese opera art that began to actively promote the non-Chinese circle of foreign cultures and actively seek the conscious period and high tide of world response and dialogue. However, the noise in the ideological atmosphere of a specific era has formed a force to promote and accelerate the drama to a wider world. The overseas performances, the introduction and propaganda in foreign books and periodicals, and the translation of stage plays have exceeded the scale and influence of the past. Compared with the history of the overseas dissemination of classical opera classics and Chinese opera performances in overseas Chinese circles, this period sought the initiative and intensity of response and dialogue, and the intervention and voice of the foreign cultural world. And the focus on the current popular plays, the stage art level and the current situation of the development of drama, but also in the various exchanges and dialogues in the interactive field, more realistic influence of speech can be formed. These Chinese and foreign sayings, which revolve around the art of drama, have not only expressed different positions and motives, but also experienced a variety of intentional or unintentional processing in the process of information transmission and reception. Their forming, focusing, contending and processing history not only reflect the complex and mixed features of opera art, which is regarded as the representative of traditional culture, but also the struggle of understanding and thinking behind it. At the same time, it also has a profound influence on the historical process of the modern evolution of opera art. Its scope covers the text of drama, the judgment and orientation of the cultural value of opera, the vocabulary of stage art and its presentation at the practical level. And drama art theory construction and expression and other aspects. Today we have experienced some twists and turns in such an important field of knowledge production. For a long time, apart from the attention paid to a few of the performance events and some of the discussions that have been initiated, there are still a large number of comments in this period of history that need to be excavated, translated, introduced and sorted out, and how to review the history as comprehensively as possible. An objective understanding of the historical causality is an important issue that we cannot avoid in the reflection on the modernization of opera art today. This thesis takes "the art of drama in overseas promotion and dialogue between China and foreign countries" as the research object, combining with the investigation of the history of social ideology and culture, analyzes the multiple causes of the climax of overseas promotion of opera in the 1920s and 1930s, and returns to the overseas promotion of the Chinese opera art in the 20th century. The first conscious period of communication and the high tide of the specific historical situation to develop the modern stage of drama landscape. At the same time, excavating and investigating the Chinese and foreign dialogue on the art of drama in this period, refining the focus of the discussion, in the reflection of the motive of speech and the acceptance of the standpoint, Look at the relationship between this dialogue and the modern evolution of opera art as one of its results. On this basis, this paper responds to the problems of "westernization", "nationalization" and the modernity of opera in the development process of modern opera, and evaluates the influence, historical significance and value of overseas promotion and communication of opera from 1919 to 1937. Put forward new ideas.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J809.2
[Abstract]:From 1919 to 1937, it was the Chinese opera art that began to actively promote the non-Chinese circle of foreign cultures and actively seek the conscious period and high tide of world response and dialogue. However, the noise in the ideological atmosphere of a specific era has formed a force to promote and accelerate the drama to a wider world. The overseas performances, the introduction and propaganda in foreign books and periodicals, and the translation of stage plays have exceeded the scale and influence of the past. Compared with the history of the overseas dissemination of classical opera classics and Chinese opera performances in overseas Chinese circles, this period sought the initiative and intensity of response and dialogue, and the intervention and voice of the foreign cultural world. And the focus on the current popular plays, the stage art level and the current situation of the development of drama, but also in the various exchanges and dialogues in the interactive field, more realistic influence of speech can be formed. These Chinese and foreign sayings, which revolve around the art of drama, have not only expressed different positions and motives, but also experienced a variety of intentional or unintentional processing in the process of information transmission and reception. Their forming, focusing, contending and processing history not only reflect the complex and mixed features of opera art, which is regarded as the representative of traditional culture, but also the struggle of understanding and thinking behind it. At the same time, it also has a profound influence on the historical process of the modern evolution of opera art. Its scope covers the text of drama, the judgment and orientation of the cultural value of opera, the vocabulary of stage art and its presentation at the practical level. And drama art theory construction and expression and other aspects. Today we have experienced some twists and turns in such an important field of knowledge production. For a long time, apart from the attention paid to a few of the performance events and some of the discussions that have been initiated, there are still a large number of comments in this period of history that need to be excavated, translated, introduced and sorted out, and how to review the history as comprehensively as possible. An objective understanding of the historical causality is an important issue that we cannot avoid in the reflection on the modernization of opera art today. This thesis takes "the art of drama in overseas promotion and dialogue between China and foreign countries" as the research object, combining with the investigation of the history of social ideology and culture, analyzes the multiple causes of the climax of overseas promotion of opera in the 1920s and 1930s, and returns to the overseas promotion of the Chinese opera art in the 20th century. The first conscious period of communication and the high tide of the specific historical situation to develop the modern stage of drama landscape. At the same time, excavating and investigating the Chinese and foreign dialogue on the art of drama in this period, refining the focus of the discussion, in the reflection of the motive of speech and the acceptance of the standpoint, Look at the relationship between this dialogue and the modern evolution of opera art as one of its results. On this basis, this paper responds to the problems of "westernization", "nationalization" and the modernity of opera in the development process of modern opera, and evaluates the influence, historical significance and value of overseas promotion and communication of opera from 1919 to 1937. Put forward new ideas.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J809.2
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