昆剧《公孙子都》创作历程探微
发布时间：2018-09-08 19:51
【摘要】：昆剧《公孙子都》是由浙江昆剧团于1997年起稿、历经“四易其名、十易其稿”并在继承传统的基础上,保持常演常新的一部新编昆剧剧目。该剧是根据京剧《伐子都》一折为原型,进而重新创作,用整本昆剧武生戏的方式予以呈现,在常以“三小戏”(小生、小旦、小花脸)见长的昆剧舞台上,可谓是独树一帜。该剧创作过程长达十几年,通过对剧本的整“旧”如“新”,对音乐的整“新”如“旧”,以及对表演、舞美等方面长久的雕琢打磨,最终确立以“武戏为主、兼有文戏”的“心理剧”的创作概念,在不断的舞台实践过程中绽放异彩,使其在国内外重要的评比参演中折桂大奖,屡获殊荣。对于一部新编昆剧武戏,其创作时间之漫长、排演过程之艰辛、改编手法之繁复,不但是剧目自身在新时期昆剧传承道路上的一次积极探索,也是当下众多新编剧目创作过程中的一个突出缩影。 本文以新编昆剧《公孙子都》作为研究对象,以剧目的创编者、演出者——浙江昆剧团作为考察对象,通过历时两年的田野调查,对该剧在传统历史故事整改、传统唱腔与现代作曲手法结合、昆剧武戏表演、现代剧场展示的舞美效果以及作品问世后所产生的多种反馈,都做了认真整理,并对其调查资料进行了较为系统研究与客观分析,力求还原该剧的创作历程,以期对新编剧目中出现的“传统与现代融合”的各种实践形式做出一些梳理性的探索,以此抛砖引玉,进一步探讨新编昆剧在创作上的经验与得失。
[Abstract]:Kunqu Opera "Gongsun Zi" was published in 1997 by Zhejiang Kun Opera Troupe. After "four changes of its name, ten of its manuscripts" and on the basis of inheriting the tradition, it maintained a new repertoire of Kunqu opera. The opera is based on the 90% discount of Beijing Opera, and then re-created, presented in the way of the whole Kun Opera Wusheng Opera. It is unique on the stage of "three small operas" (Xiao Sheng, Xiao Dan, Xiao Hua face). The production process of the play lasted for more than ten years. Through a long period of refinement of the script, such as "new", "new" and "old" of music, as well as the long period of orchestration and polishing of performances, dance and beauty, it was finally established that "martial arts" were the main elements. The creative concept of "psychological drama", which combines the literature and drama, blooms brilliance in the process of continuous stage practice, and makes it win many awards in the important competition and performance at home and abroad. For a newly compiled Kunju Opera, the long time of its creation, the difficulty of the rehearsal process and the complexity of its adaptation techniques are not only an active exploration of the repertoire itself on the road to the inheritance of Kunqu Opera in the new period. It is also a prominent microcosm in the process of creation of many new repertoire. This article takes the newly compiled Kunqu Opera "Gongsun Zi du" as the research object, takes the producer and producer of the repertoire, the Zhejiang Kunju Opera Group as the object of investigation, through two years of field investigation, corrects the drama in the traditional historical story. The combination of traditional singing and modern composition techniques, the performance of Kunju Opera, the dance effects of modern theatres and the feedback generated by the works after their publication have all been carefully sorted out. It also makes a systematic study and objective analysis of its investigation materials, and tries to restore the creation course of the play, in order to make some combing exploration on the various practical forms of "the fusion of tradition and modernity" which appear in the new screenplay. In order to further explore the new Kunqu Opera in the creation of experience and loss.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J82
[Abstract]:Kunqu Opera "Gongsun Zi" was published in 1997 by Zhejiang Kun Opera Troupe. After "four changes of its name, ten of its manuscripts" and on the basis of inheriting the tradition, it maintained a new repertoire of Kunqu opera. The opera is based on the 90% discount of Beijing Opera, and then re-created, presented in the way of the whole Kun Opera Wusheng Opera. It is unique on the stage of "three small operas" (Xiao Sheng, Xiao Dan, Xiao Hua face). The production process of the play lasted for more than ten years. Through a long period of refinement of the script, such as "new", "new" and "old" of music, as well as the long period of orchestration and polishing of performances, dance and beauty, it was finally established that "martial arts" were the main elements. The creative concept of "psychological drama", which combines the literature and drama, blooms brilliance in the process of continuous stage practice, and makes it win many awards in the important competition and performance at home and abroad. For a newly compiled Kunju Opera, the long time of its creation, the difficulty of the rehearsal process and the complexity of its adaptation techniques are not only an active exploration of the repertoire itself on the road to the inheritance of Kunqu Opera in the new period. It is also a prominent microcosm in the process of creation of many new repertoire. This article takes the newly compiled Kunqu Opera "Gongsun Zi du" as the research object, takes the producer and producer of the repertoire, the Zhejiang Kunju Opera Group as the object of investigation, through two years of field investigation, corrects the drama in the traditional historical story. The combination of traditional singing and modern composition techniques, the performance of Kunju Opera, the dance effects of modern theatres and the feedback generated by the works after their publication have all been carefully sorted out. It also makes a systematic study and objective analysis of its investigation materials, and tries to restore the creation course of the play, in order to make some combing exploration on the various practical forms of "the fusion of tradition and modernity" which appear in the new screenplay. In order to further explore the new Kunqu Opera in the creation of experience and loss.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J82
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