中国戏曲的插演艺术
发布时间：2018-09-10 07:49
【摘要】：中国古典戏曲是民族文化瑰宝,具备文学和艺术的双重特质,具有鲜明的民族特色。本文以古典戏曲舞台插演艺术为主要研究对象,通过几个方面进行相关研究。第一章主要是概述学术界有关插演的研究现状以及介绍了本文的研究方法和思路。第二章对元杂剧的插演形式和内容进行了梳理,从“科诨型上场诗”、“穿插型诨述”、“游离式情节”以及“笑乐型小插曲”四个类型分析了插演的内容和特点,本章研究目的在于使插演的面貌更清晰地呈现在人们面前。第三章交代元杂剧插演艺术的渊源,探讨中国古典戏曲成熟之前的表演形式对其产生的影响。宋金杂剧是元杂剧插演艺术的直接来源。其中“拴搐艳段”院本、“打略拴搐”院本以及“诸杂大小院本”对元杂剧的插演艺术产生了重要的影响。第四章是对插演在戏曲作品中重要的功能和地位进行切实地分析,具体通过“调节剧场气氛和戏剧节奏”、“填补舞台时空间隙”、“曲家抒发情志的载体”三个方面来论述说明。最后的第五章论述元杂剧插演套式对明清戏曲插演艺术的影响。全文层层推进,从元杂剧插演的存在面貌到其艺术来源再到其功能作用最后到其对明清戏曲的插演艺术的影响,从插演艺术的本身出发研究插演,从科学态度出发考察插演。
[Abstract]:Chinese classical opera is a treasure of national culture, with the dual characteristics of literature and art, with distinct national characteristics. This article takes the classical opera stage insertion art as the main research object, through several aspects carries on the correlation research. The first chapter is an overview of the academic research on the status quo of interpolation, as well as the research methods and ideas of this paper. The second chapter combs the form and content of the Yuan Zaju, analyzes the content and characteristics of the interjection from four types, namely, the "Keke style", "the gimmick", "the free plot" and "the laughing music". The purpose of this chapter is to make the appearance of interjection appear more clearly in front of people. The third chapter explains the origin of the performance art of Yuan Zaju, and probes into the influence of the performance form before the Chinese classical opera matures on it. Song and Jin Dynasty Zaju is the direct source of Yuan Zaju's interjection art. Among them, "twitching Yan Duan" Yuan Ben, "playing a little twitching" Yuan Ben and "various sizes of the Yuan Dynasty" had an important impact on the art of the Yuan Zaju. The fourth chapter is a practical analysis of the important function and position of the interlude in the opera works, specifically through "regulating the atmosphere and rhythm of the theater", "filling the gap between stage time and space", "the carrier of expressing one's feelings" is discussed in three aspects. Finally, the fifth chapter discusses the influence of Yuan Zaju's repertoire on the Ming and Qing opera. From the existence of the Yuan Zaju to its artistic source and its function, the full text is pushed forward, from its influence on the performance of the Ming and Qing operas, from the study of the art itself, and from the scientific attitude to the interjection.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J812
本文编号：2233832
[Abstract]:Chinese classical opera is a treasure of national culture, with the dual characteristics of literature and art, with distinct national characteristics. This article takes the classical opera stage insertion art as the main research object, through several aspects carries on the correlation research. The first chapter is an overview of the academic research on the status quo of interpolation, as well as the research methods and ideas of this paper. The second chapter combs the form and content of the Yuan Zaju, analyzes the content and characteristics of the interjection from four types, namely, the "Keke style", "the gimmick", "the free plot" and "the laughing music". The purpose of this chapter is to make the appearance of interjection appear more clearly in front of people. The third chapter explains the origin of the performance art of Yuan Zaju, and probes into the influence of the performance form before the Chinese classical opera matures on it. Song and Jin Dynasty Zaju is the direct source of Yuan Zaju's interjection art. Among them, "twitching Yan Duan" Yuan Ben, "playing a little twitching" Yuan Ben and "various sizes of the Yuan Dynasty" had an important impact on the art of the Yuan Zaju. The fourth chapter is a practical analysis of the important function and position of the interlude in the opera works, specifically through "regulating the atmosphere and rhythm of the theater", "filling the gap between stage time and space", "the carrier of expressing one's feelings" is discussed in three aspects. Finally, the fifth chapter discusses the influence of Yuan Zaju's repertoire on the Ming and Qing opera. From the existence of the Yuan Zaju to its artistic source and its function, the full text is pushed forward, from its influence on the performance of the Ming and Qing operas, from the study of the art itself, and from the scientific attitude to the interjection.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J812
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