论咏叹调《孤独、我堕落、被人抛弃》的戏剧性
发布时间：2018-09-10 08:24
【摘要】：贾科莫·普契尼(Puccini Giacomao,1858-1924)是继威尔第之后意大利最伟大的歌剧作曲家,同时也是十九世纪末意大利真实主义歌剧的代表人物。《曼侬·莱斯科》是普契尼1893年发表即一举成名的作品。《孤独、堕落、被人抛弃》是该歌剧最后一幕中由女主角曼侬演唱的一首极具戏剧性的咏叹调,其旋律凄婉动人,成为古往今来音乐会上经久不衰的女高音经典曲目。论文以“戏剧性”为切入口,探讨这首咏叹调中人物情感的戏剧性;音乐表现的戏剧性;歌唱表现的戏剧性,分析戏剧女高音与戏剧性咏叹调之间的自然关联,以及歌唱的抒情性、叙事性、冲突性与戏剧性表现的关联性,通过研究,从多元角度揭示咏叹调中戏剧性存在的客观性,为进一步了解这一咏叹调提供了认知和演唱的参考。本文将分为三部分。第一部分,对“戏剧性”这一概念以及歌剧及咏叹调中的“戏剧性”进行简述;第二部分,从情节的戏剧性、音乐的戏剧性这两个方面对咏叹调《孤独、堕落、被人抛弃》的戏剧性进行分析;第三部分,结合前面两部分的阐述,从演唱方面对咏叹调《孤独、堕落、被人抛弃》的戏剧性处理进行说明。
[Abstract]:Giacomo Puccini Giacomao,1858-1924 is Italy's greatest opera composer after Verdi. He is also a representative of the Italian realistic opera of the end of the nineteenth century. "Mannon Lesco" was published by Puccini in 1893 and became famous. Abandoned is a dramatic aria sung by the heroine Mannon in the last act of the opera, the melody of which is sad and moving. The thesis takes "drama" as the entrance, discusses the drama of character's emotion in this aria, the drama of music performance, the drama of singing performance, and analyzes the natural relation between the soprano and the dramatic aria. And the relationship between lyricism, narration, conflict and dramatic expression of singing. Through the study, the objectivity of dramatic existence in arias is revealed from multiple angles, which provides a reference for further understanding of this aria. This article will be divided into three parts. In the first part, the concept of "drama" and the "drama" in opera and aria are briefly described; the second part, from the drama of the plot, the drama of music, the two aspects of arias "loneliness, depravity," The third part, combined with the previous two parts, explains the dramatic treatment of arias "Lonely, depraved, abandoned" from the aspect of singing.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
[Abstract]:Giacomo Puccini Giacomao,1858-1924 is Italy's greatest opera composer after Verdi. He is also a representative of the Italian realistic opera of the end of the nineteenth century. "Mannon Lesco" was published by Puccini in 1893 and became famous. Abandoned is a dramatic aria sung by the heroine Mannon in the last act of the opera, the melody of which is sad and moving. The thesis takes "drama" as the entrance, discusses the drama of character's emotion in this aria, the drama of music performance, the drama of singing performance, and analyzes the natural relation between the soprano and the dramatic aria. And the relationship between lyricism, narration, conflict and dramatic expression of singing. Through the study, the objectivity of dramatic existence in arias is revealed from multiple angles, which provides a reference for further understanding of this aria. This article will be divided into three parts. In the first part, the concept of "drama" and the "drama" in opera and aria are briefly described; the second part, from the drama of the plot, the drama of music, the two aspects of arias "loneliness, depravity," The third part, combined with the previous two parts, explains the dramatic treatment of arias "Lonely, depraved, abandoned" from the aspect of singing.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
【参考文献】
相关期刊论文 前1条
1 陈紫;歌剧的形式与歌剧音乐的戏剧性[J];人民音乐;1992年01期
相关硕士学位论文 前3条
1 谢s，
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