歌仔戏音乐“福建过台湾”考证

发布时间：2018-09-12 11:11

【摘要】：歌仔戏诞生于台湾宜兰,是今天台湾本土文化的代表。然而,追溯歌仔戏形成、发展的历史,通过对歌仔戏音乐形态尤其是对歌仔戏七字调典型“腔音”的分析,可以证实歌仔戏又是闽台两地音乐文化交融的产物。福建民间音乐随着渡海移民在台湾落地生根,移民们以闽南锦歌为基础,吸收流传在台湾的客家民歌、采茶戏、车鼓弄和其他戏曲元素,创造了以“七字调”为代表的唱腔音乐。七字调源于“说唱”性质的锦歌,先在台湾发展为“可供歌舞表演”的台湾本地歌仔七字调,最后演变为“可演唱故事”的歌仔戏七字调。歌仔戏音乐发展的历史,也是两岸民间音乐文化交融创新的历史。
[Abstract]:Born in Ilan, Taiwan, the opera is a representative of Taiwan's native culture today. However, by tracing back to the history of the formation and development of the opera, and through the analysis of the musical form of the opera, especially the typical "accent" of the seven characters of the opera, it can be proved that the opera is the product of the fusion of music culture between Fujian and Taiwan. Fujian folk music has taken root in Taiwan with the emigration from across the sea. Based on the brocade songs of southern Fujian, the immigrants have absorbed Hakka folk songs, tea picking operas, car trunking and other opera elements that have been circulating in Taiwan. Created the "seven characters" as the representative of the singing music. The seven-character tone originates from the "rap" style of brocade songs. First, it developed into a "singing and dancing performance" in Taiwan. Finally, it developed into a seven-character tune of "singing stories." The history of the music development of the opera is also the history of the cross-straits folk music culture blending and innovation.
【作者单位】：福建师范大学音乐学院;

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