比较视野中的1930-1940年代中国话剧研究
发布时间：2018-09-13 16:43
【摘要】： 话剧是“舶来品”。20世纪初,传入中国后,在继承西方话剧艺术成就基础上,和中国的传统戏曲进行了猛烈的撞击和融合,形成了具有中国本土特色的中国话剧。 中国话剧诞生的初期,受易卜生现实主义戏剧思潮影响最大。极大地推动了中国话剧的发展,给中国带来了不同于传统戏剧的,却又是多元化的戏剧,使得中国的话剧界从一开始即形成了现代话剧多元创造的局面。在美学原则、结构技巧、人物形象、语言形式等方面对中国话剧起到启蒙作用。1920年代末至1930年代初,左翼戏剧观对中国革命文艺的发展产生深远的影响,推动现代戏剧向着无产阶级戏剧运动的方向前进,为中国现代戏剧的发展开辟了新的纪元。促使民主主义戏剧向无产阶级戏剧转变,有力地推动文艺大众化运动,加快中国马克思主义文艺理论建设,为左翼文艺运动中现实主义艺术的发展奠定了坚实的理论基础。 1930-1940年代,全国划分为几个不同的政治区域：国统区(国民党统治的地区)、解放区(共产党领导的抗日敌后根据地)、沦陷区(日本军队占领的地区)及上海“孤岛”区。由于战争局势的变化发展,不同阶段有不同的时代审美倾向,这又决定着不同的创作潮流与趋势,文学发展的时段性比较明晰,话剧发展在各个区域产生不同的流变。但是,却有着共同的特征：政治化、大众化、民族化、组织化。 话剧作为一种西方所特有的艺术形式,经过二十年的磨练,话剧终于深入到东方文化中,丰富了中国的文学形式,形成了本土化的文艺理论和批评,实现了中西戏剧的接轨。
[Abstract]:After being introduced into China in the beginning of the 20th century, the modern drama, on the basis of inheriting the artistic achievements of the western drama, made a violent impact and fusion with the Chinese traditional opera, and formed a Chinese drama with Chinese local characteristics. In the early stage of the birth of Chinese modern drama, Ibsen's realistic drama thought had the most influence on it. It has greatly promoted the development of Chinese modern drama, and brought to China different from the traditional drama, but also diversified drama, so that the Chinese drama field from the beginning has formed the situation of modern drama multi-creation. In the aspects of aesthetic principles, structural techniques, characters' images, language forms and so on, the left-wing drama concept had a profound influence on the development of Chinese revolutionary literature and art from the end of 1920s to the early 1930s. Pushing modern drama to the direction of proletarian drama movement opened a new era for the development of Chinese modern drama. To promote the transformation of democratic drama to proletarian drama, to promote the mass movement of literature and art, and to speed up the construction of Marxist literary theory in China. It laid a solid theoretical foundation for the development of realistic art in the left-wing literary movement. The whole country is divided into several political areas: the Kuomintang-controlled areas, the liberated areas (the base areas behind the anti-Japanese enemy lines led by the Communist Party), the enemy-occupied areas (the areas occupied by the Japanese army) and the "isolated islands" of Shanghai. Because of the change and development of the war situation, different stages have different aesthetic tendency of the times, which determines the different creative trends and trends, the period of literary development is relatively clear, the development of drama in different regions produced different changes. However, there are common characteristics: politicization, popularization, nationalization and organization. As a unique form of art in the West, after twenty years of practice, the drama has finally penetrated into the oriental culture, enriched the Chinese literary form, formed the native literary theory and criticism, and realized the integration of the Chinese and the Western dramas.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J824
本文编号：2241747
[Abstract]:After being introduced into China in the beginning of the 20th century, the modern drama, on the basis of inheriting the artistic achievements of the western drama, made a violent impact and fusion with the Chinese traditional opera, and formed a Chinese drama with Chinese local characteristics. In the early stage of the birth of Chinese modern drama, Ibsen's realistic drama thought had the most influence on it. It has greatly promoted the development of Chinese modern drama, and brought to China different from the traditional drama, but also diversified drama, so that the Chinese drama field from the beginning has formed the situation of modern drama multi-creation. In the aspects of aesthetic principles, structural techniques, characters' images, language forms and so on, the left-wing drama concept had a profound influence on the development of Chinese revolutionary literature and art from the end of 1920s to the early 1930s. Pushing modern drama to the direction of proletarian drama movement opened a new era for the development of Chinese modern drama. To promote the transformation of democratic drama to proletarian drama, to promote the mass movement of literature and art, and to speed up the construction of Marxist literary theory in China. It laid a solid theoretical foundation for the development of realistic art in the left-wing literary movement. The whole country is divided into several political areas: the Kuomintang-controlled areas, the liberated areas (the base areas behind the anti-Japanese enemy lines led by the Communist Party), the enemy-occupied areas (the areas occupied by the Japanese army) and the "isolated islands" of Shanghai. Because of the change and development of the war situation, different stages have different aesthetic tendency of the times, which determines the different creative trends and trends, the period of literary development is relatively clear, the development of drama in different regions produced different changes. However, there are common characteristics: politicization, popularization, nationalization and organization. As a unique form of art in the West, after twenty years of practice, the drama has finally penetrated into the oriental culture, enriched the Chinese literary form, formed the native literary theory and criticism, and realized the integration of the Chinese and the Western dramas.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J824
【引证文献】
相关硕士学位论文 前1条
1 张静岩;西北战地服务团研究[D];山西师范大学;2012年
，本文编号：2241747
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