黄梅戏演唱中对民族声乐的借鉴

发布时间：2018-10-05 07:49

【摘要】：民族声乐和黄梅戏演唱艺术有着千丝万缕的联系,两者都属于民族音乐,是华夏民族文化和艺术的重要组成部分,是中华民族精神的象征。黄梅戏从起源至今在审美、题材、声腔等方面受着民族声乐的影响,特别是黄梅戏早期的发展阶段在声腔上有很大的局限性,它以民间小调为主、音域较窄、音色单一,在剧目的规模上也受到限制。从四、五十年代开始,严凤英、丁俊美等一批黄梅戏表演艺术家开始意识到运用科学唱法的重要性,并不断学习、借鉴民族声乐的发声方法；半个多世纪以来,通过几代黄梅人的努力,黄梅戏的音域得到拓展,戏曲表现力得到加强,黄梅戏从一个民间小戏发展成为享誉全国的地方大戏。本文试从黄梅戏的发展脉络中找出民族声乐对其的影响,通过曲调、语言、唱法等方面来分析黄梅戏对民族声乐成功的借鉴和取得的成果,以及在黄梅戏“延续”中对民族声乐借鉴的重要性。
[Abstract]:The national vocal music and the singing art of Huangmei Opera are inextricably linked, both belong to national music, are an important part of Chinese national culture and art, and a symbol of the spirit of the Chinese nation. Huangmei Opera has been influenced by the national vocal music in the aspects of aesthetics, subject matter and vocal tone from its origin to now. Especially, the early development stage of Huangmei Opera has great limitations in the vocal cavity. It is mainly in folk minor, with a narrow range and a single timbre. The scale of the repertoire is also limited. From the 1940s to 1950s, Yan Fengying, Ding Junmei and other performing artists began to realize the importance of using scientific singing techniques, and constantly learned to learn from the vocal methods of national vocal music; for more than half a century, Through the efforts of Huang Mei of several generations, the vocal range of Huangmei Opera was expanded, the performance of opera was strengthened, and Huangmei Opera developed from a small folk drama to a famous local opera in the whole country. This paper tries to find out the influence of national vocal music on it from the development of Huangmei Opera. Through the aspects of tune, language and singing style, this paper analyzes the successful reference and achievements of Huangmei Opera to the national vocal music. And the importance of reference to national vocal music in the continuation of Huangmei Opera.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

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