望都“新颖调”调查与研究
发布时间：2018-10-09 07:46
【摘要】：中华民族地域辽阔，民族众多，地方戏曲剧种呈现多姿多彩、百花齐放的大好局面。河北望都县的新颖调是众多地方戏中的一朵奇葩，诞生至今已有两百多年的历史。其生于民间，又反复演唱和流传在老百姓中间，为基层的广大民众所喜闻乐见。新颖调创作手法生动新颖，唱腔质朴清新，综合了多种戏曲艺术中的精华而又独具特色，曾一度成为老百姓生活中不可缺少的精神食粮，是我国优秀地方戏曲文化遗产的代表。其健康朴素、乐观向上的表现形式和特有的艺术魅力，在国内外都有广泛的群众基础。自二十世纪中期以来，新颖调历经了由盛至衰的过程，直到今天，新颖调后继乏人、观众流失、濒临绝迹。2007年6月该剧种被列为保定市第一批非物质文化遗产名录。 新颖调的缘起和发展，对广大民众的生活娱乐，审美需求，情感交流及文化传承等方面都发挥了重要的作用，本身有着较高的艺术价值和审美价值。同时新颖调也是地方戏曲文化的重要组成部分，它与老百姓的实际生活息息相关，既是历史发展的见证，也是珍贵的、有价值的文化资源，其间所包含的燕赵儿女特有的民族精神、审美意识、想象力、创造力及思维方式，对于研究中国民间文化和地方音乐有重要的参考价值，也为研究中国戏曲的发展提供了实体参照。当前，由于历史原因，新颖调正濒临消亡和失传。通过认真的考察和了解，对其缘起发展、组织形式、艺术特点及社会文化价值等方面进行了全面的调查分析，针对新颖调的现状，提出保护传承的几点建议，，目的是引起全社会的共同关注。期待新颖调能够重现昔日“独树一帜”的光彩，从而更好地发挥其弘扬民族精神，传承民族民间文化，丰富人民群众精神文化生活的积极作用。
[Abstract]:The Chinese nation has a vast territory and numerous nationalities. The novel tune of Wangdu County in Hebei Province is a rare flower in many local operas, which has a history of more than 200 years. It was born in the folk, and repeated singing and spread among the common people, the masses of grass-roots people like to see. The novel tone creation technique is vivid and novel, the singing is simple and fresh, has integrated many kinds of opera art essence but also has the unique characteristic, once became the common people life indispensable spiritual food, is our country outstanding local opera cultural heritage representative. Its healthy, simple, optimistic expression form and unique artistic charm have a broad mass base at home and abroad. Since the middle of the 20th century, the novel tune has gone through the process from prosperity to decline. Until now, the novel tone has been followed by few people, the audience has been lost, and is on the verge of extinction. In June 2007, the play was listed as the first batch of intangible cultural heritage in Baoding City. The origin and development of the novel tune plays an important role in the life and entertainment, aesthetic demand, emotional exchange and cultural inheritance of the general public, and has a higher artistic value and aesthetic value. At the same time, the novel tone is also an important part of the local opera culture. It is closely related to the actual life of the common people. It is not only a witness of historical development, but also a precious and valuable cultural resource. The unique national spirit, aesthetic consciousness, imagination, creativity and mode of thinking of Yanzhao's sons and daughters are of great reference value to the study of Chinese folk culture and local music. Also for the study of the development of Chinese opera to provide substantive reference. At present, due to historical reasons, novel tune is on the verge of extinction and loss. Through careful investigation and understanding, this paper makes a comprehensive investigation and analysis on its origin and development, organizational form, artistic characteristics and social and cultural values, and puts forward some suggestions for protecting the inheritance in view of the current situation of the new tone. The aim is to arouse the common concern of the whole society. It is expected that the original tone can reproduce the splendor of "being unique" in the past, so as to bring into play its positive role in carrying forward the national spirit, inheriting the national folk culture and enriching the spiritual and cultural life of the masses.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
[Abstract]:The Chinese nation has a vast territory and numerous nationalities. The novel tune of Wangdu County in Hebei Province is a rare flower in many local operas, which has a history of more than 200 years. It was born in the folk, and repeated singing and spread among the common people, the masses of grass-roots people like to see. The novel tone creation technique is vivid and novel, the singing is simple and fresh, has integrated many kinds of opera art essence but also has the unique characteristic, once became the common people life indispensable spiritual food, is our country outstanding local opera cultural heritage representative. Its healthy, simple, optimistic expression form and unique artistic charm have a broad mass base at home and abroad. Since the middle of the 20th century, the novel tune has gone through the process from prosperity to decline. Until now, the novel tone has been followed by few people, the audience has been lost, and is on the verge of extinction. In June 2007, the play was listed as the first batch of intangible cultural heritage in Baoding City. The origin and development of the novel tune plays an important role in the life and entertainment, aesthetic demand, emotional exchange and cultural inheritance of the general public, and has a higher artistic value and aesthetic value. At the same time, the novel tone is also an important part of the local opera culture. It is closely related to the actual life of the common people. It is not only a witness of historical development, but also a precious and valuable cultural resource. The unique national spirit, aesthetic consciousness, imagination, creativity and mode of thinking of Yanzhao's sons and daughters are of great reference value to the study of Chinese folk culture and local music. Also for the study of the development of Chinese opera to provide substantive reference. At present, due to historical reasons, novel tune is on the verge of extinction and loss. Through careful investigation and understanding, this paper makes a comprehensive investigation and analysis on its origin and development, organizational form, artistic characteristics and social and cultural values, and puts forward some suggestions for protecting the inheritance in view of the current situation of the new tone. The aim is to arouse the common concern of the whole society. It is expected that the original tone can reproduce the splendor of "being unique" in the past, so as to bring into play its positive role in carrying forward the national spirit, inheriting the national folk culture and enriching the spiritual and cultural life of the masses.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
【参考文献】
相关期刊论文 前3条
1 乔建中;;“原生态”民歌的舞台化实践与“非遗”保护——在“中国原生态民歌盛典”学术研讨会上的发言[J];人民音乐;2011年08期
2 张雪娇;;白马藏族
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