“眼见之实”的深化与固化——论十七年话剧舞美中的质感营造
发布时间：2018-10-09 08:07
【摘要】：物质感的出现,标志着中国话剧舞美写实能力的成熟。十七年期间,随着演剧体系化的推进,舞美界的技术与物质条件得以改善,幻觉型舞美亦获得了一种优势地位。在这个过程中,话剧舞美中物质感的营造不断被推进,发展出稳定的类型与操作方式,在既有的技术条件与美学框架中,充分实现了自己的艺术潜力。与此同时,其缺陷也暴露无遗,即受制于"再现的框架"与"有限生活"。
[Abstract]:The appearance of material sense marks the maturity of realistic ability of Chinese modern drama. During the seventeen years, with the promotion of systematization, the technical and material conditions of the dance world were improved, and the hallucinatory dance also gained a dominant position. In this process, the construction of the texture in the drama dance beauty is constantly promoted, the stable type and operation mode are developed, and the artistic potential is fully realized in the existing technical conditions and aesthetic framework. At the same time, its defects are also exposed, that is, subject to the "framework of reproduction" and "limited life."
【作者单位】： 扬州大学新闻与传媒学院;
【分类号】：J824
，
本文编号：2258603
[Abstract]:The appearance of material sense marks the maturity of realistic ability of Chinese modern drama. During the seventeen years, with the promotion of systematization, the technical and material conditions of the dance world were improved, and the hallucinatory dance also gained a dominant position. In this process, the construction of the texture in the drama dance beauty is constantly promoted, the stable type and operation mode are developed, and the artistic potential is fully realized in the existing technical conditions and aesthetic framework. At the same time, its defects are also exposed, that is, subject to the "framework of reproduction" and "limited life."
【作者单位】： 扬州大学新闻与传媒学院;
【分类号】：J824
，
本文编号：2258603
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