“政治共名”时期朝鲜族戏剧研究

发布时间：2018-10-17 08:04

【摘要】：中国的朝鲜族是从朝鲜半岛迁入中国境内,扎根于东北的迁入民族。中国朝鲜族戏剧作为朝鲜族文化中必不可少的一部分,至今也已有近百年的发展历史。抗战胜利后,我国朝鲜族人民获得了解放,人民当家做主。朝鲜族戏剧艺术继承长久以来民族文化的发展特色,取得了进一步的发展。 “政治共名”是一种在一定时期内社会存在重大政治事件或持续性的政治倾向的影响下,文化工作和文学创作的主题被这种政治导向所控制,知识分子表达思想的形式也只能是在受此影响的框架和范围内进行的状态。当代中国的“政治共名”经历了1949年新中国成立-1966年“文化大革命”爆发和1966年“文革”-1978年十一届三种全会召开两个主要阶段。“政治共名”对同时代的文化具有深刻和全面的影响,朝鲜族戏剧文化也逃脱不了这种趋向。建国后30年,朝鲜族戏剧以社会主义现实主义为创作原则,充满浓厚的革命热情和英雄主义精神,以阶级斗争和革命主义为创作主题,同时在一定程度上展现了独特的民族风情。尤其“文革”时期随着反右阶级斗争的扩大化,文艺高度统一于政治,“革命样板戏”占据了戏剧的主要舞台,朝鲜族戏剧的创作基本失去了自由,只能以“移植”汉族戏剧维持其生存。 “政治共名”时期,在戏剧领域斯氏体系得以一统天下,社会主义现实主义成为了最基本的创作原则,在这样的大环境下,朝鲜族戏剧得到一统发展。在文化倾向上朝鲜族戏剧表现出艺术的复合性：传统戏剧传承了朝鲜族传统的文化艺术精华,具有浓厚的传统民族特色和风格；翻译戏剧在政治社会大背景下,以原有作品为创作基础,融合进朝鲜民族的审美情趣,形成适应新的审美文化需求的新型创作；原创戏剧则融汇中华民族性和朝鲜族民族特色为一体,创作出具有时代精神的民族戏剧,为民族艺术和中华艺术做出重要贡献。然而,在政治倾向上朝鲜族戏剧呈现一元化的政治倾向性。
[Abstract]:The Korean people in China are the immigrants from the Korean Peninsula and rooted in the Northeast. As an indispensable part of Korean culture, Chinese Korean drama has a history of nearly 100 years. After the victory of the War of Resistance against Japan, the Korean people in our country were liberated and the people were the masters of their own country. The Korean drama art inherits the long-standing national culture development characteristic, has obtained the further development. "political co-nomenclature" is a kind of political orientation that controls the theme of cultural work and literary creation under the influence of major political events or persistent political tendencies in the society for a certain period of time. The form of intellectual expression can only be carried out within the framework and scope of this influence. The political name in contemporary China has undergone two main stages: the founding of New China in 1949, the outbreak of the "Cultural Revolution" in 1966 and the opening of the three Plenary sessions of the Eleventh Party Congress in 1978. Political synonym has a profound and comprehensive influence on the contemporary culture, and the Korean drama culture cannot escape this trend. Thirty years after the founding of the people's Republic of Korea, the Korean dramas took socialist realism as the creative principle, filled with strong revolutionary enthusiasm and heroism, and took class struggle and revolutionism as the creative theme. At the same time, to a certain extent, it shows unique national customs. Especially during the "Cultural Revolution" period, with the expansion of the anti-right class struggle, literature and art were highly unified in politics, the "revolutionary model opera" occupied the main stage of drama, and the creation of Korean drama basically lost its freedom. They can only survive by transplanting Han dramas. During the period of "political co-fame", the system of "Si's family" in the field of drama was dominated, and socialist realism became the most basic creative principle. Under such a big environment, Korean drama was unified and developed. In terms of cultural tendency, Korean drama shows artistic complexity: traditional drama inherits the essence of Korean traditional culture and art, and has strong traditional national characteristics and style. On the basis of the original works, it integrates the aesthetic tastes of the Korean nation and forms a new type of creation adapted to the new aesthetic cultural needs, while the original drama integrates the Chinese nationality and the Korean national characteristics as a whole. To create a national drama with the spirit of the times, to make important contributions to national art and Chinese art. However, in the political tendency, Korean drama presents a monistic political tendency.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J809.2

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