论普契尼歌剧《图兰朵》中的戏剧发展与人物形象刻画
发布时间：2018-10-20 19:57
【摘要】：意大利伟大的歌剧作曲家普契尼是西方歌剧史上最后一位伟大的作曲家，他创作的歌剧《图兰朵》有着不息的生命力。歌剧中的著名唱段至今活跃在声乐舞台上。他创作的旋律优美、富有感染力，他创作的歌剧追求耳目一新的新鲜感、不拘泥与以往的内容和形式，是一位有创造力的作曲家。他善于描写爱情的主题、善于刻画女性的美，他的歌剧不少是以女主人公的名字命名的，《图兰朵》也不例外。 本论文从四个方面来论述这部歌剧的戏剧发展和人物形象的刻画。一是把《图兰朵》的创作还原到作曲家创作的年代，分析这部歌剧创作年代的人们的心理状态，来分析作曲家选取这一题材的原因，为下面深入的分析这部作品做铺垫；二是分析歌剧中的戏剧发展和人物形象的刻画，，对这两点的分析来看作曲家是如何通过音乐的手段来刻画人物形象的；三是音乐与戏剧的相互关系，通过对歌剧中乐队、合唱、独唱等多种元素的综合运用的分析来看作曲家如何渲染场面的气氛；通过对具体唱段的分析来看音乐与剧情是如何紧密结合的，看它们如何揭示人物内心的矛盾和人物之间的矛盾、刻画人物的性格，如何用音乐和戏剧的相互推动激化矛盾以推动故事的发展，深化人物的性格，彰显和强化“真爱能够战胜一切”这一主题的；四是作曲家在《图兰朵》中异国情调的运用，通过对中国曲调的引用和模仿来表现故事发生地应有的特点，烘托格局的异国气氛，通过场面上有中国特点的皇宫阁楼、小和尚等元素给歌剧带来新鲜感。笔者拟通过对这四点的分析来揭示作曲家是如何用在歌剧中推动戏剧发展和塑造人物形象的、这部作品成为经典之作的原因，以及我们应该思考和从中学到的东西。
[Abstract]:Puccini, the great Italian opera composer, is the last great composer in the history of western opera. The famous choreography of opera is still active on the stage of vocal music. His melodies are beautiful and infectious, and his operas are creative composers who pursue fresh and fresh feelings and are not restricted to the contents and forms of the past. He is good at describing the theme of love and the beauty of women. Many of his operas are named after the heroine, and Turandot is no exception. This thesis discusses the development of the opera and the portrayal of the characters from four aspects. The first is to restore the creation of Turandot to the era of composer creation, to analyze the psychological state of people in this opera creation era, to analyze the reason why the composer chose this theme, and to lay the groundwork for the following in-depth analysis of this work; The second is to analyze the development of drama and the portrayal of characters in opera, and to analyze these two points, to see how the composer portrays the characters by means of music; third, the relationship between music and drama, through the band and chorus in the opera, From the analysis of the comprehensive application of various elements, such as solos, to see how the composer can render the atmosphere of the scene; through the analysis of the specific choreography, we can see how closely the music and the plot are combined. See how they reveal the contradictions within the characters and the contradictions between the characters, portray the character of the characters, how to use the mutual promotion of music and drama to intensify the contradictions in order to promote the development of the story and deepen the character of the characters. To highlight and strengthen the theme of "true love can overcome everything"; fourth, the composer's use of exotic sentiment in Turandot, through the citation and imitation of Chinese tunes, to express the characteristics of the place where the story takes place. Setting off the exotic atmosphere of the pattern, through the Chinese characteristics of the imperial attic, young monks and other elements to bring new elements to the opera. Through the analysis of these four points, the author intends to reveal how composers use opera to promote the development of drama and portray characters, the reason why this work has become a classic, and what we should think about and learn from it.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
本文编号：2284230
[Abstract]:Puccini, the great Italian opera composer, is the last great composer in the history of western opera. The famous choreography of opera is still active on the stage of vocal music. His melodies are beautiful and infectious, and his operas are creative composers who pursue fresh and fresh feelings and are not restricted to the contents and forms of the past. He is good at describing the theme of love and the beauty of women. Many of his operas are named after the heroine, and Turandot is no exception. This thesis discusses the development of the opera and the portrayal of the characters from four aspects. The first is to restore the creation of Turandot to the era of composer creation, to analyze the psychological state of people in this opera creation era, to analyze the reason why the composer chose this theme, and to lay the groundwork for the following in-depth analysis of this work; The second is to analyze the development of drama and the portrayal of characters in opera, and to analyze these two points, to see how the composer portrays the characters by means of music; third, the relationship between music and drama, through the band and chorus in the opera, From the analysis of the comprehensive application of various elements, such as solos, to see how the composer can render the atmosphere of the scene; through the analysis of the specific choreography, we can see how closely the music and the plot are combined. See how they reveal the contradictions within the characters and the contradictions between the characters, portray the character of the characters, how to use the mutual promotion of music and drama to intensify the contradictions in order to promote the development of the story and deepen the character of the characters. To highlight and strengthen the theme of "true love can overcome everything"; fourth, the composer's use of exotic sentiment in Turandot, through the citation and imitation of Chinese tunes, to express the characteristics of the place where the story takes place. Setting off the exotic atmosphere of the pattern, through the Chinese characteristics of the imperial attic, young monks and other elements to bring new elements to the opera. Through the analysis of these four points, the author intends to reveal how composers use opera to promote the development of drama and portray characters, the reason why this work has become a classic, and what we should think about and learn from it.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
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