民国西安易俗社与陕西军政界多维关系考察
发布时间：2018-10-24 22:53
【摘要】：西安易俗社作为陕西地方知识分子主导的秦腔改良剧社,自建社伊始陕西军政界便"集体性"地参与其中。民国时期陕西复杂多变的时事格局,使得易俗社的管理群体必须"学会"与陕西军政界"处理好"关系,方能在当时的时事境遇下避免"地痞流氓"等社外因素的侵扰,剧社经营才能得以顺利进行。与此同时,易俗社"文化领导权"的"占有",且剧社全面参与了陕西军政界主导的意识形态宣扬,加之剧社秦腔艺术生产和艺术审美表现所凸显的启蒙精神和革新意识,以及"掌门人"的知识分子身份表征,使得陕西军政界对剧社及其管理者分外"垂青",呈现为多维复杂的关系模态。
[Abstract]:Xi'an Folk Society, as the Qin Opera Society dominated by local intellectuals in Shaanxi Province, participated in it from the beginning of its establishment in a "collective way" in Shaanxi military and political circles. The complicated and changeable current affairs pattern in Shaanxi during the period of the Republic of China made the management group of the Yi common society have to "learn" to "handle" the relationship with the Shaanxi military and political circles, so as to avoid the invasion of "local ruffian" and other factors outside the society under the current situation at that time. The management of the drama club can go smoothly. At the same time, the "possession" of the "cultural leadership" of the popular society, and the drama society's full participation in the propaganda of the ideology dominated by the Shaanxi military political circles, coupled with the enlightenment spirit and innovative consciousness highlighted by the Qin opera society's artistic production and artistic aesthetic performance, As well as the intellectual identity of the "head man", Shaanxi military and political circles are particularly keen on the drama society and its managers, showing a multi-dimensional and complex relationship mode.
【作者单位】： 西北大学文学院;陕西省艺术研究所;
【基金】：2016年度国家社科基金艺术学青年项目:“秦腔的现代性与‘本土化’:民国时期西安易俗社研究(1912-1949)”批准号:16CB146 2015年陕西省社科课题:《秦腔的现代性确立——民国时期西安易俗社研究(1912-1949)》(立项号2015J067)
【分类号】：K258;J809.2
，
本文编号：2292811
[Abstract]:Xi'an Folk Society, as the Qin Opera Society dominated by local intellectuals in Shaanxi Province, participated in it from the beginning of its establishment in a "collective way" in Shaanxi military and political circles. The complicated and changeable current affairs pattern in Shaanxi during the period of the Republic of China made the management group of the Yi common society have to "learn" to "handle" the relationship with the Shaanxi military and political circles, so as to avoid the invasion of "local ruffian" and other factors outside the society under the current situation at that time. The management of the drama club can go smoothly. At the same time, the "possession" of the "cultural leadership" of the popular society, and the drama society's full participation in the propaganda of the ideology dominated by the Shaanxi military political circles, coupled with the enlightenment spirit and innovative consciousness highlighted by the Qin opera society's artistic production and artistic aesthetic performance, As well as the intellectual identity of the "head man", Shaanxi military and political circles are particularly keen on the drama society and its managers, showing a multi-dimensional and complex relationship mode.
【作者单位】： 西北大学文学院;陕西省艺术研究所;
【基金】：2016年度国家社科基金艺术学青年项目:“秦腔的现代性与‘本土化’:民国时期西安易俗社研究(1912-1949)”批准号:16CB146 2015年陕西省社科课题:《秦腔的现代性确立——民国时期西安易俗社研究(1912-1949)》(立项号2015J067)
【分类号】：K258;J809.2
，
本文编号：2292811
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