《暗恋桃花源》的互文性研究
发布时间：2018-10-26 13:10
【摘要】： 本论文“互文性研究”的批评方法意指两个层面:一个层面是文本内部主体自觉的后现代互文性叙事策略,即研究文本自身内质的互文性;另一层面是用互文性的阅读分析方法来批评文本,这并不以文本主体的自觉性为前提。 本论文将《暗恋桃花源》作为承接以上两个层面意义的互文性文本,依据文本叙事线索,将场次结构整理为相对完整独立的四大部分,相应依次以四个经典文本为参照,寻求对应文本间的互文关系,以图归纳其间异同,借此验证经典作品间某些有趣的关联。与此同时,机动性地穿插探讨文本内四个部分之间的互文性。 本论文第一章以加缪存在主义戏剧观念为出发,寻求《暗恋》与《误会》间的互文性、第二章对应于皮兰德娄的元戏剧,分析“争抢舞台的演员们”与“寻找作者的剧中人”的互文性、第三章从审美乌托邦的角度,寻求《桃花源》对《桃花源记》进行“重复”中的互文性意义、第四章在荒诞派戏剧情境特征的基础上,将《暗恋桃花源》中的“刘子骥”与贝克特的“戈多”展开互文对比,并对全剧主题进行归结。
[Abstract]:The critical method of "intertextuality study" in this thesis refers to two aspects: one is the self-conscious post-modern intertextuality narrative strategy of the internal subject of the text, that is, the study of the intertextuality of the text itself; Another aspect is the intertextuality of reading analysis method to criticize the text, which is not based on the subjective consciousness of the text. In this paper, the author regards "Secret Love of Peach Blossom Source" as the intertextuality text to undertake the above two levels of meaning, according to the narrative clue of the text, arranges the stage structure into four relatively complete and independent parts, corresponding to the four classical texts as reference. In order to find out the intertextuality between the corresponding texts, and to sum up the similarities and differences between them, this paper verifies some interesting connections between classical works. At the same time, the intertextuality of the four parts in the text is explored flexibly. The first chapter of this thesis is based on Camus' existential drama concept, seeking the intertextuality between "secret love" and "misunderstanding". The second chapter corresponds to the meta-drama by Pillandello. This paper analyzes the intertextuality between "the actors fighting for the stage" and "looking for the author in the play". The third chapter, from the angle of aesthetic utopia, seeks the intertextuality meaning of "repetition" in the Story of the Peach Blossom Source. The fourth chapter compares Liu Ziji and Beckett's Gordo on the basis of the characteristics of absurd drama, and summarizes the theme of the play.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J805
本文编号：2295824
[Abstract]:The critical method of "intertextuality study" in this thesis refers to two aspects: one is the self-conscious post-modern intertextuality narrative strategy of the internal subject of the text, that is, the study of the intertextuality of the text itself; Another aspect is the intertextuality of reading analysis method to criticize the text, which is not based on the subjective consciousness of the text. In this paper, the author regards "Secret Love of Peach Blossom Source" as the intertextuality text to undertake the above two levels of meaning, according to the narrative clue of the text, arranges the stage structure into four relatively complete and independent parts, corresponding to the four classical texts as reference. In order to find out the intertextuality between the corresponding texts, and to sum up the similarities and differences between them, this paper verifies some interesting connections between classical works. At the same time, the intertextuality of the four parts in the text is explored flexibly. The first chapter of this thesis is based on Camus' existential drama concept, seeking the intertextuality between "secret love" and "misunderstanding". The second chapter corresponds to the meta-drama by Pillandello. This paper analyzes the intertextuality between "the actors fighting for the stage" and "looking for the author in the play". The third chapter, from the angle of aesthetic utopia, seeks the intertextuality meaning of "repetition" in the Story of the Peach Blossom Source. The fourth chapter compares Liu Ziji and Beckett's Gordo on the basis of the characteristics of absurd drama, and summarizes the theme of the play.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J805
【引证文献】
相关期刊论文 前1条
1 王天雪;;从存在主义看《等待戈多》与“寻找刘子骥”[J];青年文学家;2011年06期
，本文编号：2295824
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