析话剧《一个陌生女人的来信》的意象构建

发布时间：2018-10-26 20:09

【摘要】："意象"一词是中国古代文论中的一个重要概念。古人以为意是内在的抽象的心意,象是外在的具体的物象,意源于内心并借助于象来表达,象其实是意的寄托物。在戏剧中,意象的构建和升华是一部剧的高级追求。《一个陌生女人的来信》在排演过程中,以意象化的展现为自觉追求,深冀于以“超越自然形态的方式”感性形象,直接表达出潜隐在人的精神深处的“最深沉和最多样化的”情感活动。在这部剧中,无论是演员设置、布景呈现、道具择取、肢体表达、灯光使用等,均有一些意象化的探索和尝试。毫无疑问,意象让舞台上正在发生的现实变得轻盈,意象传达在突出其深刻内涵的同时,可以为一部剧插上飞翔的翅膀。作为本人毕业大戏,编导演的具体实践,使我愿意做一些理论上的梳理和尝试,便于在将来的实践中继续揣摩和领悟,获得更多可行可感的创作规律,为戏剧的发展贡献一点经验。
[Abstract]:The word "image" is an important concept in ancient Chinese literary theory. The ancients thought that the meaning is the inner abstract mind, like the external concrete object image, the meaning originates from the heart and expresses with the help of the image, the elephant is actually the sustenance of the will. In drama, the construction and sublimation of image is the high pursuit of a play. Express directly the "deepest and most diversified" emotional activities that lurk in the depths of the human spirit. In this play, there are some imaginative explorations and attempts, whether it is actor setting, scene presentation, props selection, body expression, lighting use, etc. There is no doubt that the image makes the reality that is happening on the stage light, and the image conveys its profound connotation, at the same time, it can insert the wings of flying for a play. As a concrete practice of my graduate drama and director, I would like to do some theoretical combing and try, so that I can continue to figure out and comprehend in the future practice, and obtain more feasible and sensible creative rules. Contribute a little experience to the development of drama.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J824

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