成都大皮影的审美现代性及其开发路径
发布时间：2018-10-29 15:39
【摘要】：成都大皮影产生于晚清,处于中国皮影发展的最后一个阶段,是一种从乡村发展到城市,经过改造服务于市民,并伴随川剧而走向辉煌的都市影戏,具有演出场所固定、受众面广、影人大等特点。此外,成都大皮影还具有戏画交融的表演特点,用皮影小戏演绎川剧大戏,面向市民,戏剧化程度高,直到今天仍具有独特的艺术魅力和审美现代性。对成都大皮影进行创意开发,主要可通过博物馆展出与表演相结合的活态呈现、政府宣传突出地域文化特色以及远离现代工业的皮影表演市场培育等路径。
[Abstract]:The big shadow of Chengdu originated in the late Qing Dynasty and was in the last stage of the development of Chinese shadow. It was a kind of urban film play which developed from the countryside to the city, served the citizens through the transformation, and accompanied by the Sichuan opera and went to the glory. It had a fixed performing place. By a wide audience, film people and other characteristics. In addition, Chengdu shadow still has the performance characteristic of the combination of drama and painting, using shadow small drama to deduce the Sichuan opera, facing the citizen, the dramatization degree is high, still has the unique artistic charm and the aesthetic modernity to this day. The creative development of the big shadow in Chengdu can be carried out mainly through the living presentation of the combination of the museum exhibition and the performance, the publicity of the government to highlight the regional cultural characteristics and the cultivation of the shadow show market far from the modern industry, and so on.
【作者单位】： 成都体育学院;
【基金】：文化部文化艺术科学研究项目“最后的影戏:晚清以降成都大皮影的百年兴衰”(项目编号:15DB10) 四川省社科规划项目“非遗视角下四川灯影戏与川剧的文化渊源研究”(项目编号:SC14B009) 成都市哲学社会科学项目“成都大皮影的审美现代性及开发价值研究”(项目编号:2015R22) 四川省教育厅哲社重点项目“四川皮影的巴蜀文化特质及文化市场的开发途径研究”(项目编号:15SA0079)的研究成果
【分类号】：J827
本文编号：2298104
[Abstract]:The big shadow of Chengdu originated in the late Qing Dynasty and was in the last stage of the development of Chinese shadow. It was a kind of urban film play which developed from the countryside to the city, served the citizens through the transformation, and accompanied by the Sichuan opera and went to the glory. It had a fixed performing place. By a wide audience, film people and other characteristics. In addition, Chengdu shadow still has the performance characteristic of the combination of drama and painting, using shadow small drama to deduce the Sichuan opera, facing the citizen, the dramatization degree is high, still has the unique artistic charm and the aesthetic modernity to this day. The creative development of the big shadow in Chengdu can be carried out mainly through the living presentation of the combination of the museum exhibition and the performance, the publicity of the government to highlight the regional cultural characteristics and the cultivation of the shadow show market far from the modern industry, and so on.
【作者单位】： 成都体育学院;
【基金】：文化部文化艺术科学研究项目“最后的影戏:晚清以降成都大皮影的百年兴衰”(项目编号:15DB10) 四川省社科规划项目“非遗视角下四川灯影戏与川剧的文化渊源研究”(项目编号:SC14B009) 成都市哲学社会科学项目“成都大皮影的审美现代性及开发价值研究”(项目编号:2015R22) 四川省教育厅哲社重点项目“四川皮影的巴蜀文化特质及文化市场的开发途径研究”(项目编号:15SA0079)的研究成果
【分类号】：J827
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