“古体原文”与《南曲九宫正始》的曲学思维
发布时间：2018-10-29 20:01
【摘要】：徐于室、钮少雅编纂的《南曲九宫正始》是清代昆曲曲谱中集大成的格律谱,体现了作者遵古律今、考镜源流、依规立矩的撰谱原则。其凸显的"元乃曲之正宗"的曲学思想,是其考源、辑剧、辨文、正谬的曲学导向。其谱例之间丰富的评语和笺语,集中反映了谱主选择例曲的"古体原词"意识、严辨正衬的变体观念、扶偏救弊的立谱动机,丰富和发展了明清曲谱的制谱经验。
[Abstract]:Xu Yuzhang, Niu Shaoya's compilation of "Nannqu Jiugong", is a collection of rules in the qu music of the Qing Dynasty, which embodies the author's principle of following the ancient law, examining the origin of the mirror and standing by the rules. His philosophy of "Yuan is the authentic of qu" is its source of examination, repertoire of drama, differentiation of text and correct and false. The abundant comments and notes between the musical examples reflect the consciousness of "the original words of the ancient style", the concept of strict and correct contrast, the motive of helping to save the disadvantages, and enrich and develop the experience of the music composition of the Ming and Qing dynasties.
【作者单位】： 东华理工大学江西戏剧资源研究中心;东华理工大学长江学院;
【基金】：2014年度教育部人文社科研究规划基金项目《元明清曲谱与南戏传奇关系研究》(项目号14YJA751008)的阶段性成果
【分类号】：J617.5
，
本文编号：2298668
[Abstract]:Xu Yuzhang, Niu Shaoya's compilation of "Nannqu Jiugong", is a collection of rules in the qu music of the Qing Dynasty, which embodies the author's principle of following the ancient law, examining the origin of the mirror and standing by the rules. His philosophy of "Yuan is the authentic of qu" is its source of examination, repertoire of drama, differentiation of text and correct and false. The abundant comments and notes between the musical examples reflect the consciousness of "the original words of the ancient style", the concept of strict and correct contrast, the motive of helping to save the disadvantages, and enrich and develop the experience of the music composition of the Ming and Qing dynasties.
【作者单位】： 东华理工大学江西戏剧资源研究中心;东华理工大学长江学院;
【基金】：2014年度教育部人文社科研究规划基金项目《元明清曲谱与南戏传奇关系研究》(项目号14YJA751008)的阶段性成果
【分类号】：J617.5
，
本文编号：2298668
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