time and space 在 戏剧电影与电视艺术 分类中 的翻译结果

  本文关键词：时间和空间:戏剧的原型结构，由笔耕文化传播整理发布。

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time and space

    Time and Space in Theatre

    戏剧时空的自由境界

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    Outsider in the Fragmentary Time and Space——The Modernistic Style of Wong kar-wai's Films

    破碎时空中的异乡人——王家卫电影的现代主义风格

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    Cutting through the Time and Space of Movie Images ——The Wandering Fifth Generation

    穿越影像的时空——瞻前顾后第五代

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    Cultural Connotation in the Interlacement of Time and Space——On narrative time and space in films and telefilms

    时空交错 文化蕴涵——论影视剧的叙事时空

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    Time and Space of the Cultural Paradox and Post-Modernism:A Cultural Study on A Modern Play of Journey to the West in Terms of Time and Space

    文化悖论时空与后现代主义——电影《大话西游》的时空文化研究

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    Time and Space:The Original Structure of Drama

    时间和空间:戏剧的原型结构

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    The purpose of this study is to show archetypal struction of drama from time and space.

    戏剧是一种时空复合艺术 ,戏剧的原型结构是通过时间和空间展开的。

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    The light can present itself for our appreciation,and can incarnate the characteristics of the picture in time and space.

    光线可以进行审美观照和审美欣赏 ,能体现画面时间和空间上的特征。

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    Shifts in time and space in film,a comprehensive art in this regard,are of great potential because they contain the profundity of indigenous culture.

    电影作为时间与空间的综合艺术,时间的流变和空间的转换在电影中都有着无穷的潜力,且这种流变与转换携带着深厚的本土文化蕴涵。

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    With analyzing point of view , time and space structure of "poetic being" in Movie & TV Drama, this paper presents consistency of point of view, complete configuration of image’s time and space in audience's imagination and relevant conclusions as following: Firstly, we should keep consistency of the point of view in a certain section by specifying the image’s style and the identity of the hidden observers.

    全文以影视剧的“诗性情境”为对象,着重分析其视点、时间结构、空间结构等,提出了视点的一致性问题,影像的时间与空间如何在观者的想象中最终完成自身完整形态的问题,以及相关的解决方案:明确视点后隐匿的观察者的身份,参照具体影像风格,保持某一段落视点的一致性;

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    Chinese traditional way of Composting a picture , perspective ,changing sight and unlimited time and space have instructional meaning on shooting.

    在中国传统绘画中，，构图、布局不拘于特定时间与空间、散点透视法以及移步换景对DV的动态拍摄有着指导意义。

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    The Third Time and Space:Lost

    论《迷失》时空中的第三种状态

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    But one thing we certainly believe that whatever the changes of patterns will take place in the stage art of theatre, The drama which is performing publicly and seeing and performing at the same time will still keep its unreplaceable charming,only the conceptions of time and space have been new connotation and denotation.

    但有一点我们可以肯定,不论舞台戏剧形态怎样改变,当众表演、观演共时的戏剧仍将有着不可替代的魅力,只是空间与时间的概念已经有了新的内涵和外延。

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    In classical Chinese drama scripts, there occurred the personified time, with personal features by artistic mutual communication with the characters of the play and thus another amusing aspect of time culture provides us an opportunity to see some things in human nature beyond the limitation of time and space.

    在中国古典戏剧文本中,有一些时间人性化的例子,这体现了中国古典戏曲中的时间文化审美的另一个层面,具有鲜明的民族文化特色和时代特色。

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    It,combined changeable elements in time and space,broke the traditional way of narration.

    打破传统的叙事结构,镜头在时间、空间上的跳跃多变。

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  time and space

Third, ecological water requirements are related to a multiple system including water quality, water quantity, and time and space, which interact with each other.

The difference approximation in time and space of the original continuous equations (Part I) was discussed.

The cases in which (1) time-changes in oil saturation can be neglected and (2) pressure and oil saturation distributions in time and space described by a common system of differential equations are studied separately.

Parameter variability related to changes in environmental quality in time and space was analyzed.

Rotation of the flow structure behind the shock wave relative to the axis of symmetry was observed as the flow pattern develops in time and space.

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Based on "The Function and Development of Stage Lighting", the article discusses the final chapter of the history of the development of stage lighting, mean while pointing out the five stages in stage lighting ; 1. Lighging is "lightening" ;2. The beginning of controlled lighting; 3. Natural fantasy ; 4. expressing the internal sentiments ; 5. Going towards the era of lighting. Selected from the fifth chapter, the article depicts a glorious era of lighting from stage lighting and its musicality, the changing...

Based on "The Function and Development of Stage Lighting", the article discusses the final chapter of the history of the development of stage lighting, mean while pointing out the five stages in stage lighting ; 1. Lighging is "lightening" ;2. The beginning of controlled lighting; 3. Natural fantasy ; 4. expressing the internal sentiments ; 5. Going towards the era of lighting. Selected from the fifth chapter, the article depicts a glorious era of lighting from stage lighting and its musicality, the changing time and space in stage,lighting designers in active and three-dimensional lighting and the function and application of large-scale art projects in stage lighting, ect.

作者近作《舞台灯光的作用与发展》,系统而完整地论述了在戏剧历史长河中舞台灯光经历的五个发展阶段:1.照明即“照亮”;2.可控光的启蒙;3.表现自然幻觉;4.抒发内在情感;5.走向光景时代。此处选登其中的第五章节,全文从舞台灯光与音乐性;塑造多变的舞台时空;照明设计家对於动态的立体照明的思考与实践;新兴的大型艺术工程中舞台灯光的作用与应用等方面论述了当代舞台美术正走向辉煌灿烂的光景时代。

Wang Xiaoying has indefatigably probed into the inherent laws and unique aesthetic quality of the stage hypothesis as an artistic medium of directors. By bringing out the latent potential of the stage hypothesis. Wang Xiaoying has been pursuing new narrative techniques which go beyond considering the stage hypothesis only as a means of breaking through representationally dramatic time and space.

王晓鹰不懈探索着作为导演创作手段的“舞台假定性”的内部规律和审美特质。通过对“舞台假定性”的潜能的开发,寻找一种超越仅仅把“舞台假定性”视作是突破写实的戏剧环境时空手法的新的舞台叙述方法。

The scence factuality,which concretely means real time and space,real news incidents and people relations,is an absolutely necessary pursuit of TV news.A TV news reporter must abide by the principle of factuality and adopt various means,including the means of concealed interview to realize scene factuality.

情境真实是电视新闻的必然追求 ,它的具体内涵包括时空环境以及特定的新闻事件和人物关系。电视记者必须恪守真实理念 ,捕捉一切有用的信息 ,灵活采用包括隐性采访手段在内的多样方法以实现情境真实

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  本文关键词：时间和空间:戏剧的原型结构，由笔耕文化传播整理发布。