当前位置:主页 > 文艺论文 > 戏剧论文 >

喜看男小生在越剧舞台上不寂寞

发布时间:2018-11-10 09:57
【摘要】:正有人说,在越剧舞台上,男小生终究是寂寞的。看了男女合演越剧《铜雀台》后,我强烈地感到,男演员在越剧舞台上并不寂寞,男演员同样可以英姿飒爽地站到舞台的中央。这出由上海越剧院院长、著名剧作家李莉与编剧黄[?合作改编的古装越剧《铜雀台》,是一出男女合演的新戏,集结了该院一团的最强阵容,以纪念上海越剧男女合演60周年。在缺人、少戏,市场尚待培育的现状下,这台男女合演的新戏的上演,得到了新老观众的广
[Abstract]:It is said that in the stage of Yue Opera, the boy is lonely after all. After watching the male and female co-starters, I felt strongly that the actor was not lonely on the stage, and that the actor could also stand in the center of the stage. This by Shanghai Yue Theater dean, famous playwright Li and screenwriter Huang [? The co-adaptation of the ancient costume Yue Opera "Bronze Sparrow stage" is a new play co-performed by men and women. It has assembled the strongest lineup of the academy to mark the 60th anniversary of the Shanghai Yue Opera. In the lack of people, less drama, the market has yet to be nurtured, this male and female co-production of the new play, has been new and old audience wide.
【分类号】:J825


本文编号:2322111

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2322111.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户5066d***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com