南戏艺人的生态及其演出场所
发布时间:2018-12-06 14:00
【摘要】:南戏形成于民间,南戏的演员与南戏的作家一样,主要也是民间艺人,时称"路歧人""戾家子弟",他们多以家庭成员组成戏班,以演戏作为谋生的手段。南戏艺人无固定的演出场所,冲州撞府,游走江湖,除了在城市的瓦舍勾栏和乡村的广场地头演出外,还要被官府"唤官身",为官员及家眷单独演出。
[Abstract]:South Opera is formed in the folk, and the actors and writers of the Southern Opera are mainly folk artists, when called "Lu Qi" surly children ", they mostly use family members to form troupes, acting as a means of earning a living. In addition to performing in the city's Washer Goulan and the rural square, Nanxi artists have no fixed performing place. They are also "called officials" by the government to perform alone for officials and their families.
【基金】:2014年浙江省社科规划优势学科重大资助项目“南戏传播研究”(项目批准号14YSK06ZD)阶段性成果
【分类号】:J809.2
本文编号:2366139
[Abstract]:South Opera is formed in the folk, and the actors and writers of the Southern Opera are mainly folk artists, when called "Lu Qi" surly children ", they mostly use family members to form troupes, acting as a means of earning a living. In addition to performing in the city's Washer Goulan and the rural square, Nanxi artists have no fixed performing place. They are also "called officials" by the government to perform alone for officials and their families.
【基金】:2014年浙江省社科规划优势学科重大资助项目“南戏传播研究”(项目批准号14YSK06ZD)阶段性成果
【分类号】:J809.2
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1 陈建华;;相声的艺术演进与表演场所之关系[J];华南农业大学学报(社会科学版);2008年03期
,本文编号:2366139
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