北京城区八角鼓票房考：1976-2016
发布时间：2018-12-06 20:51
【摘要】：八角鼓票房是清代末期在北京城区兴起的一种民间曲艺爱好者的自娱性组织。此传统一直延续到“文化大革命”前夕,1976年后又逐渐恢复。本文采用口述史和田野志相结合的方法,以清末至“文革”之前的北京城区八角鼓票房传统为参照,对新时期即1976年至2016年四十年间北京城区数十个八角鼓票房的恢复存续状态及组织活动特点进行考察,对这四十年间各个八角鼓票房的历史发展和艺术传扬进行探究,对新时期八角鼓票房的代表人物及演唱曲种和曲目进行了介绍,并结合律宁、张卫东、“白雪遗音”票房的年轻票友以及笔者自身的学习经历,探讨了新时期八角鼓票房特有的文化价值及社会影响,藉之以为八角鼓票房及其票友这一特殊的曲艺团体与爱好者群体存照立传,期为当代北京曲艺的历史发展勾勒一幅视角独特的剪影与侧面。
[Abstract]:Octagonal drum box office is a kind of self-entertainment organization of folk music lovers in Beijing in the late Qing Dynasty. This tradition continued until the eve of the Cultural Revolution and gradually recovered after 1976. This paper adopts the method of combining oral history with field records, referring to the box office tradition of octagonal drum in Beijing from the late Qing Dynasty to the "Cultural Revolution". This paper investigates the recovery state and organizational characteristics of dozens of octagonal drum box offices in Beijing during the new period from 1976 to 2016, and probes into the historical development and artistic spread of each octagonal drum box office during the past 40 years. This paper introduces the representative figures of octagonal drum box office in the new period, and the singing songs and repertoire, and combines with Luning, Zhang Weidong, the young ticket friends of the box office of "White Snow Yin" and the author's own learning experience. This paper probes into the unique cultural value and social influence of anise drum box office in the new period. Period for the historical development of contemporary Beijing quyi art outline a unique perspective silhouette and profile.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J826
本文编号：2366640
[Abstract]:Octagonal drum box office is a kind of self-entertainment organization of folk music lovers in Beijing in the late Qing Dynasty. This tradition continued until the eve of the Cultural Revolution and gradually recovered after 1976. This paper adopts the method of combining oral history with field records, referring to the box office tradition of octagonal drum in Beijing from the late Qing Dynasty to the "Cultural Revolution". This paper investigates the recovery state and organizational characteristics of dozens of octagonal drum box offices in Beijing during the new period from 1976 to 2016, and probes into the historical development and artistic spread of each octagonal drum box office during the past 40 years. This paper introduces the representative figures of octagonal drum box office in the new period, and the singing songs and repertoire, and combines with Luning, Zhang Weidong, the young ticket friends of the box office of "White Snow Yin" and the author's own learning experience. This paper probes into the unique cultural value and social influence of anise drum box office in the new period. Period for the historical development of contemporary Beijing quyi art outline a unique perspective silhouette and profile.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J826
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