贝利尼歌剧《梦游女》中阿米娜的人物塑造及演唱风格研究
发布时间：2018-12-15 00:23
【摘要】： 贝利尼,19世纪初意大利浪漫主义歌剧“美声乐派三巨头”之一。《梦游女》是贝利尼创作风格由继承传统、模仿他人到独出机杼,散发独特魅力的成熟之作。在宏观上,本文将阿米娜放入《梦游女》整部歌剧,重温阿米娜的爱情之路,感受阿米娜内心情感变化,进而把握阿米娜戏剧形象;在微观上,本文考量《梦游女》剧中出现的多种演唱形式,从阿米娜自身、阿米娜与其他剧中人物互动等多个方面综合把握阿米娜音乐形象。最后,本文从演唱技巧方面对阿米娜经典唱段进行仔细剖析,为更好的饰演阿米娜这一角色、演唱阿米娜唱段服务。 在绪论中,简要介绍了贝利尼和他所处的时代以及《梦游女》一剧在贝利尼创作生涯中的重要地位。 正文分为三章:在第一章中,本文首先介绍了贝利尼创作经历;简述了《梦游女》的创作背景,并以阿米娜为中心讲述了《梦游女》剧情发展,对其中重要唱段进行简单说明,为后面人物分析做好铺垫;然后依据阿米娜的经历把握阿米娜内心情感,对阿米娜戏剧形象进行多方面阐述和分析。在第二章中,本文主要围绕合唱、独唱、重唱三种演唱形式,对在《梦游女》中出现的重要唱段进行音乐手段及情感表达等多个方面分析,并简要介绍了演唱要点。在第三章中,本文首先通过分析贝利尼的咏叹调结构,把握贝利尼音乐语言、声乐风格,将《梦游女》中阿米娜经典咏叹调分为抒情Cavatina和花腔Cabaletta两大部分,分析详细的演唱技巧,为更好的演唱、人物塑造及诠释作品服务。
[Abstract]:Bellini, one of the three giants of the Italian Romantic opera of the beginning of the 19th century. Sleepwalker is a mature work in which Bellini's creative style inherits tradition, imitates others and spreads unique charm. On the macro level, this article puts Aminay in the whole opera of sleepwalker, reviews Aminay's love road, feels Aminay's inner emotion change, and then grasps Aminay's dramatic image. On the micro level, this paper considers the various singing forms in sleepwalker, and comprehensively grasps Aminay's musical image from the aspects of Aminay himself, Aminay's interaction with other characters and so on. Finally, this paper makes a careful analysis of Aminay's classic choir from the aspect of singing skills, in order to better play the role of Aminay, singing Aminay track service. In the introduction, the author briefly introduces Bellini and his time and the important position of sleepwalker in Bellini's writing career. The text is divided into three chapters: in the first chapter, this paper first introduces Bellini's creative experience; This paper briefly describes the background of the creation of sleepwalker, narrates the development of the plot of the sleepwalker with Aminay as the center, and gives a simple explanation of the important choreography, which lays the groundwork for the analysis of the characters in the future. Then according to Aminay's experience to grasp Aminay's inner feelings, Aminay drama image is expounded and analyzed. In the second chapter, this paper mainly focuses on three kinds of singing forms: chorus, soloist and duet, and analyzes the musical means and emotional expression of the important songs in sleepwalker, and briefly introduces the main points of singing. In the third chapter, by analyzing Bellini's aria structure, the author grasps Bellini's music language and vocal style, and divides Aminay's classical aria into two parts: lyric Cavatina and Cabaletta. Analysis of detailed singing skills for better singing, characterization and interpretation of works.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832
本文编号：2379590
[Abstract]:Bellini, one of the three giants of the Italian Romantic opera of the beginning of the 19th century. Sleepwalker is a mature work in which Bellini's creative style inherits tradition, imitates others and spreads unique charm. On the macro level, this article puts Aminay in the whole opera of sleepwalker, reviews Aminay's love road, feels Aminay's inner emotion change, and then grasps Aminay's dramatic image. On the micro level, this paper considers the various singing forms in sleepwalker, and comprehensively grasps Aminay's musical image from the aspects of Aminay himself, Aminay's interaction with other characters and so on. Finally, this paper makes a careful analysis of Aminay's classic choir from the aspect of singing skills, in order to better play the role of Aminay, singing Aminay track service. In the introduction, the author briefly introduces Bellini and his time and the important position of sleepwalker in Bellini's writing career. The text is divided into three chapters: in the first chapter, this paper first introduces Bellini's creative experience; This paper briefly describes the background of the creation of sleepwalker, narrates the development of the plot of the sleepwalker with Aminay as the center, and gives a simple explanation of the important choreography, which lays the groundwork for the analysis of the characters in the future. Then according to Aminay's experience to grasp Aminay's inner feelings, Aminay drama image is expounded and analyzed. In the second chapter, this paper mainly focuses on three kinds of singing forms: chorus, soloist and duet, and analyzes the musical means and emotional expression of the important songs in sleepwalker, and briefly introduces the main points of singing. In the third chapter, by analyzing Bellini's aria structure, the author grasps Bellini's music language and vocal style, and divides Aminay's classical aria into two parts: lyric Cavatina and Cabaletta. Analysis of detailed singing skills for better singing, characterization and interpretation of works.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832
【引证文献】
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