戈夫曼的“拟剧论”及其实践的当代反思
发布时间：2018-12-24 14:22
【摘要】：戈夫曼的"拟剧论"突破了传统戏剧的逻辑框架,以独特的切入方式与价值索求,重新建构了现代戏剧的艺术美学性与社会思想性。在戏剧艺术跨文化交流、融合持续深化的背景之下,对于戈夫曼的"拟剧论"的定位、传播也应当得到同步调整。应重新审视戈夫曼的"拟剧论"的时代价值,努力拓展当代戏剧的艺术内涵,对接受众的消费审美需求,借以完善现有的戏剧运作策略,从而为全球戏剧行业的繁荣进步提供可行借鉴。
[Abstract]:Goffman's Theory of simulating Drama breaks through the logical framework of traditional drama and reconstructs the artistic aesthetics and social ideology of modern drama with its unique approach and value. Under the background of cross-cultural communication and continuous deepening of the integration of drama art, the orientation of Gaufman's "Drama Simulation Theory" should also be adjusted synchronously. It is necessary to re-examine the value of the era of Goffman's Theory of Drama, to expand the artistic connotation of contemporary drama and to meet the aesthetic needs of the audience, so as to perfect the present operatic operation strategy. Therefore, it provides a feasible reference for the prosperity and progress of the global drama industry.
【作者单位】： 哈尔滨师范大学;
【基金】：黑龙江省艺术科研规划项目“意象派诗歌的跨文化特征研究”的部分研究成果。立项编号2017B55
【分类号】：J801
，
本文编号：2390739
[Abstract]:Goffman's Theory of simulating Drama breaks through the logical framework of traditional drama and reconstructs the artistic aesthetics and social ideology of modern drama with its unique approach and value. Under the background of cross-cultural communication and continuous deepening of the integration of drama art, the orientation of Gaufman's "Drama Simulation Theory" should also be adjusted synchronously. It is necessary to re-examine the value of the era of Goffman's Theory of Drama, to expand the artistic connotation of contemporary drama and to meet the aesthetic needs of the audience, so as to perfect the present operatic operation strategy. Therefore, it provides a feasible reference for the prosperity and progress of the global drama industry.
【作者单位】： 哈尔滨师范大学;
【基金】：黑龙江省艺术科研规划项目“意象派诗歌的跨文化特征研究”的部分研究成果。立项编号2017B55
【分类号】：J801
，
本文编号：2390739
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2390739.html
