以伯爵夫人的咏叹调管窥莫扎特歌剧《费加罗的婚礼》

发布时间：2018-12-26 13:07

【摘要】： 莫扎特这位音乐史上的巨匠,在他短暂的一生中,为人们留下了600部作品,这些作品几乎涉及了所有的音乐体裁,且佳作之多令人称奇。在莫扎特创作的音乐中,歌剧是主要体裁形式。他的许多歌剧至今仍被搬上舞台,久演不衰、生命力极其旺盛,且剧中许多咏叹调也成为教学和各类声乐大赛中不可缺少的曲目。本文以伯爵夫人的两首咏叹调为切入点,对莫扎特这部喜歌剧进行细致深入的剖析。此歌剧与莫扎特另外两部歌剧《唐.乔瓦尼》、《女人心》并称为莫扎特三部喜歌剧,然而在此剧中只有一个角色依旧扮演着正歌剧的色彩,也是这部歌剧最为特殊和最难把握的一个角色,这就是本文所要仔细分析的伯爵夫人。在这部歌剧中,比此前任何一部歌剧作品都更加注重人物内心的刻画和性格的体现。以伯爵夫人为代表,她所演唱的咏叹调仍充满着悲戚的力量,令人信服地凸显出女主角被动、痛苦、矛盾的情怀,在风格上与整部歌剧形成了截然不同的两种歌剧色彩。正因为伯爵夫人的这一角色在此剧中的重要地位以及笔者的亲身演唱体会,才萌生、酝酿了此论文,这也是笔者写此篇论文的意义和目的所在。
[Abstract]:Mozart, a great musician in the history of music, left 600 works for people in his short life, which covered almost all musical genres, and the number of excellent works was amazing. Opera is the main genre in Mozart's music. Many of his operas are still on stage for a long time, and many arias have become indispensable in teaching and various vocal competitions. Based on the countess's two arias, Mozart's opera is analyzed in detail. This opera and Mozart's other two operas < Don. Giovanni, the Heart of Women, is known as Mozart's three happy operas, but in this play there is only one character who still plays the color of the opera, and is the most special and difficult part of the opera. This is the countess to be carefully analysed in this article. In this opera, more attention is paid to the portrayal of characters and the embodiment of character than any previous opera works. Represented by the countess, the aria she sings is still full of sorrowful power, which convincingly highlights the heroine's feelings of passivity, pain and contradiction, and forms two different operatic colors from the whole opera in style. It is precisely because of the important role of the countess in this play and the writer's own experience of singing that this paper is conceived and conceived, which is also the meaning and purpose of the author.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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