看《暴风雪》,也谈戏剧的“关注现实”
发布时间：2018-12-31 07:53
【摘要】：正说一个作家不关注现实,在如今的意识形态语境里,恐怕要被认作是"骂"他。因为这很可能意味着其"政治不正确"。换句话说,让任何一个作家当面表态,在其作品(也包括其本人)与现实关系的范畴选边站队,即便是装,恐怕他也得装出个关注现实的姿态来。然而世人皆知,实际情况不是这样的。特别是对于一个戏剧作家而言,你关注现实与否,你怎么表态是一层,更深的、更说明问题实质的至关重要的一层,还是你的作品到底关注现实了没有,借助戏剧进
[Abstract]:To say that a writer does not pay attention to reality, in today's ideological context, I am afraid it is regarded as "scolding" him. This is likely to mean that it is "politically incorrect". In other words, let any writer stand in line in the context of his work (including himself) in relation to reality, even if he does, I'm afraid he'll have to act like a reality-conscious gesture. However, the world knows that this is not the case. Especially for a drama writer, how do you pay attention to reality or not, how do you state your position is a, deeper, more essential layer of the essence of the problem, or is your work concerned about reality or not, with the help of drama?
【作者单位】： 北京电影学院电影研究所;
【分类号】：J824
本文编号：2396282
[Abstract]:To say that a writer does not pay attention to reality, in today's ideological context, I am afraid it is regarded as "scolding" him. This is likely to mean that it is "politically incorrect". In other words, let any writer stand in line in the context of his work (including himself) in relation to reality, even if he does, I'm afraid he'll have to act like a reality-conscious gesture. However, the world knows that this is not the case. Especially for a drama writer, how do you pay attention to reality or not, how do you state your position is a, deeper, more essential layer of the essence of the problem, or is your work concerned about reality or not, with the help of drama?
【作者单位】： 北京电影学院电影研究所;
【分类号】：J824
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