《木兰诗篇》中木兰的人物形象和演唱艺术处理
发布时间：2019-01-04 10:01
【摘要】：中国歌剧自20世纪20年代诞生以来,不断变革创新,至今已走过80年的曲折历程,在歌剧发展史上曾掀起过三次高潮。40年代以《白毛女》为代表的优秀歌剧堪称是歌剧史上的里程碑,掀起了歌剧发展的第一次高潮。50年代末到60年代中期以《洪湖赤卫队》、《江姐》为代表的优秀歌剧作品,塑造了感人至深、栩栩如生的“韩英”、“江姐”的歌剧形象,出现了“人人争唱‘洪湖水’,处处都闻‘红梅赞’的盛况”,将中国歌剧的发展推向了另一个高潮。90年代,《原野》《苍原》等歌剧作品的问世,使得中国歌剧的发展呈现体裁风格多样化,无主流风格的多元并存局面,重唱、对唱、伴唱、合唱等各种演唱形式在歌剧中得到了表现机会与施展空间,更加充分完整的体现出歌剧作为一种综合艺术应该具有的形式、意义、价值。 新时期,随着著名作曲家关峡《木兰诗篇》的成功推出,瞬间吸引了世界高度的关注,把中国歌剧推向历史新的高峰,标志着中国民族歌剧正式走向世界。《木兰诗篇》题材改编自乐府诗《木兰辞》,故事曲折委婉,真实感人。笔者以歌剧《木兰诗篇》中的人物形象塑造为核心,将音乐形象塑造和戏剧形象塑造两者有机地结合起来,并对木兰剧中的主要唱段进行深入而全面的演唱处理研究。在对中国歌剧《木兰诗篇》的人物形象塑造进行简单介绍之后,总结了中国歌剧《木兰诗篇》的艺术价值,然后由歌剧《木兰诗篇》引发出对中国歌剧的发展道路的思考,笔者希望通过对《木兰诗篇》这部歌剧歌剧的人物研究,为中国民族歌剧的创新及发展方向提供一些可以借鉴的经验。
[Abstract]:Since the birth of Chinese opera in the 1920s, it has undergone a tortuous course of 80 years. There have been three climaxes in the history of the development of opera. The excellent opera represented by the White-haired Girl in the 1940s was a milestone in the history of opera. From the late 1950s to the mid-1960s, the excellent opera works represented by Honghu Red Guard team and Jiang Jie created the moving and lifelike operas of "Han Ying" and "Jiangjie". The emergence of "everyone competing to sing 'Honghu Water' and hear 'Red Plum Zan' everywhere" pushed the development of Chinese opera to another climax. In the 1990s, operas such as the Wild Land, Cang Yuan, and so on, came out. The development of Chinese opera presents a variety of genres, no mainstream style of multiple coexistence situation, duet, accompaniment, chorus and other forms of singing in the opera has been the opportunity to express and display space, More fully and completely reflects the opera as a comprehensive art should have the form, significance, value. In the new era, with the successful introduction of the famous composer Guanxia "Mulan Poems", it has attracted the attention of the world and pushed the Chinese opera to a new peak in history. "Mulan Psalm" is adapted from Yuefu poem "Mulan ci", the story is zigzag and euphemism, and it is true and touching. The author takes the characters in the opera Mulan Poems as the core, organically combines the musical image with the dramatic image, and makes a thorough and comprehensive study on the singing treatment of the main singing passages in the Mulan play. After a brief introduction to the characters of the Chinese opera Mulan Psalm, this paper summarizes the artistic value of the Chinese opera Mulan Psalm, and then gives some thoughts on the development of Chinese opera by the opera Mulan Psalm. The author hopes to provide some experience for the innovation and development of Chinese national opera by studying the characters of Mulan Psalm.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822
本文编号：2400114
[Abstract]:Since the birth of Chinese opera in the 1920s, it has undergone a tortuous course of 80 years. There have been three climaxes in the history of the development of opera. The excellent opera represented by the White-haired Girl in the 1940s was a milestone in the history of opera. From the late 1950s to the mid-1960s, the excellent opera works represented by Honghu Red Guard team and Jiang Jie created the moving and lifelike operas of "Han Ying" and "Jiangjie". The emergence of "everyone competing to sing 'Honghu Water' and hear 'Red Plum Zan' everywhere" pushed the development of Chinese opera to another climax. In the 1990s, operas such as the Wild Land, Cang Yuan, and so on, came out. The development of Chinese opera presents a variety of genres, no mainstream style of multiple coexistence situation, duet, accompaniment, chorus and other forms of singing in the opera has been the opportunity to express and display space, More fully and completely reflects the opera as a comprehensive art should have the form, significance, value. In the new era, with the successful introduction of the famous composer Guanxia "Mulan Poems", it has attracted the attention of the world and pushed the Chinese opera to a new peak in history. "Mulan Psalm" is adapted from Yuefu poem "Mulan ci", the story is zigzag and euphemism, and it is true and touching. The author takes the characters in the opera Mulan Poems as the core, organically combines the musical image with the dramatic image, and makes a thorough and comprehensive study on the singing treatment of the main singing passages in the Mulan play. After a brief introduction to the characters of the Chinese opera Mulan Psalm, this paper summarizes the artistic value of the Chinese opera Mulan Psalm, and then gives some thoughts on the development of Chinese opera by the opera Mulan Psalm. The author hopes to provide some experience for the innovation and development of Chinese national opera by studying the characters of Mulan Psalm.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822
【引证文献】
相关硕士学位论文 前2条
1 杨素军;歌剧《木兰诗篇》木兰咏叹调演唱风格的分析[D];华南理工大学;2012年
2 隋炜;歌剧《木兰诗篇》的民族化创作研究[D];华东师范大学;2012年
，本文编号：2400114
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