清唱剧《江姐》的艺术特色
发布时间：2019-01-27 06:26
【摘要】：清唱剧《江姐》作为当代清唱剧的代表作品是非常成功和具有一定影响的。尤其是它在区别于歌剧《江姐》的体裁形式基础上，用相同的内涵来表现出一种全新的风格样式，在中国清唱剧舞台上占有重要地位。剧中通过对传统作曲手段与文学性手法的结合运用，以及通过对民族性音乐素材进行符合表现需要的西方技法性质的创作，对于中国民族戏曲、戏剧、民歌等精神因素的吸收，呈现出一种西方题材的中国式表现气质，并且取得了创作和接受方面的巨大成功。清唱剧在我国的发展尚属探索阶段，这种探索经由作品《江姐》的出现和成功达到了一个高潮。这体现出新时代价值观、新时代审美精神以及新的文化语境下，西方传统体裁形式对于中国传统内涵的表现与探索，折射出了新世纪时代背景下，全球文化视野中的中西方文化因素的交汇和渗透，，也体现出一种中西文化之间相互包容与借鉴的交流趋势。
[Abstract]:As the representative works of contemporary oratorio, the oratorio "Jiangjie" is very successful and has certain influence. Especially, it shows a new style with the same connotation on the basis of its different genre form from opera "Jiang Jie", and occupies an important position on the stage of Chinese oratorio. Through the combination of traditional means of composition and literary techniques, as well as the creation of Western techniques that meet the needs of the performance of national musical materials, the play absorbs spiritual factors such as Chinese national opera, drama, folk songs, etc. Presents a Western theme of the Chinese style of expression, and has achieved great success in creation and acceptance. The development of oratorio in China is still at the stage of exploration, which has reached a climax through the appearance and success of Jiangjie. This reflects the values of the new era, the aesthetic spirit of the new era and the new cultural context. The intersection and penetration of Chinese and western cultural factors in the global cultural field also reflects a trend of mutual tolerance and reference between Chinese and Western cultures.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J805
本文编号：2416005
[Abstract]:As the representative works of contemporary oratorio, the oratorio "Jiangjie" is very successful and has certain influence. Especially, it shows a new style with the same connotation on the basis of its different genre form from opera "Jiang Jie", and occupies an important position on the stage of Chinese oratorio. Through the combination of traditional means of composition and literary techniques, as well as the creation of Western techniques that meet the needs of the performance of national musical materials, the play absorbs spiritual factors such as Chinese national opera, drama, folk songs, etc. Presents a Western theme of the Chinese style of expression, and has achieved great success in creation and acceptance. The development of oratorio in China is still at the stage of exploration, which has reached a climax through the appearance and success of Jiangjie. This reflects the values of the new era, the aesthetic spirit of the new era and the new cultural context. The intersection and penetration of Chinese and western cultural factors in the global cultural field also reflects a trend of mutual tolerance and reference between Chinese and Western cultures.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J805
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